An Entity Conceived In Hatred, Survives On Hatred Or How Abul Kalam Azad’s Fears Became Pakistan

Maulana Abul Kalam Muhiyuddin Ahmed (11 November 1888 – 22 February 1958) was a Muslim scholar and a senior political leader of the Indian independence movement. He was a vociferous advocate for the unity of India, opposing the partition of India on communal lines. Following India’s independence, he became the first Minister of Education in the Indian government.

A learned Islamic scholar, Maulana Azad opposed Pakistan’s founder Mohammad Ali Jinnah and his march to create a separate homeland for India’s Muslims. I came across a fascinating interview that he gave in 1946 to a Lahore magazine that reveals his clarity of thought and prescience of mind.

Confronted with the partition of India, something that he vehemently opposed, he warned with great prescience and foresight that:

We must remember that an entity conceived in hatred will last only as long as that hatred lasts. This hatred will overwhelm the relations between India and Pakistan. In this situation it will not be possible for India and Pakistan to become friends and live amicably unless some catastrophic event takes place. The politics of partition itself will act as a barrier between the two countries. It will not be possible for Pakistan to accommodate all the Muslims of India, a task beyond her territorial capability. On the other hand, it will not be possible for the Hindus to stay especially in West Pakistan. They will be thrown out or leave on their own.

The prominent Muslims who are supporters of Muslim League will leave for Pakistan. The wealthy Muslims will take over the industry and business and monopolise the economy of Pakistan. But more than 30 million Muslims will be left behind in India. What promise Pakistan holds for them? The situation that will arise after the expulsion of Hindus and Sikhs from Pakistan will be still more dangerous for them. Pakistan itself will be afflicted by many serious problems. The greatest danger will come from international powers who will seek to control the new country, and with the passage of time this control will become tight. India will have no problem with this outside interference as it will sense danger and hostility from Pakistan.

Could he have been proven more correct? These are the insights of a brilliant mind, one that refused to be cowed by the populist rhetoric of the age and instead choose to courageously speak to the dangers that lay in the future. He was constantly castigated by the more fundamentalist and extremist interpreters of Islamic philosophy and thought. He however remained aware of the actual history of Islam in India:

Muslim history is an important part of Indian history. Do you think the Muslim kings were serving the cause of Islam? They had a nominal relationship with Islam; they were not Islamic preachers. Muslims of India owe their gratitude to Sufis, and many of these divines were treated by the kings very cruelly. Most of the kings created a large band of Ulema who were an obstacle in the path of the propagation of Islamic ethos and values. Islam, in its pristine form, had a tremendous appeal and in the first century won the hearts and minds of a large number of people living in and around Hejaz. But the Islam that came to India was different, the carriers were non-Arabs and the real spirit was missing. Still, the imprint of the Muslim period is writ large on the culture, music, art, architecture and languages of India. What do the cultural centres of India, like Delhi and Lucknow, represent? The underlying Muslim spirit is all too obvious.

I highly recommend reading the entire interview, if for no other reason than to remember that there were dissenting voices to the journey to partition, and that the creation of a Muslim homeland was a project that required political and social planning. It was not a natural outcome of the reality of India and his society – the Hindus and Muslims do not belong to two separate world views or irreconcilable social spheres. In fact, India’s reality was quite the contrary.

Our future – that of Pakistan and India, is dependent on an honest and clear-sighted reading of the political, economic, social and even personal factors that led to the partition. Dreamy and misleading fantasies about irreconcilable religious worldviews will only continue to divide us and confuse it. It will make reconciliation and collaboration impossible.

Maulana Azad’s words remind us that it could all have been a different possibility. And that the different possibility always remains within our grasp. This is not some naive call for ‘reunification’ mind you. It is a reminder simply that our antagonisms, suspicions and fears are manufactured and maintained by powerful social, political and historical forces. They were made by man, and can be unmade by man. And they will require courage and honesty to dismantle. For dismantle they must be if we are to find normalcy – peace, trust, collaboration and calm across that infamous, blood stained border that divides India from Pakistan.

No Comments

Sorry, the comment form is closed at this time.

From “Headmen” To “Hitmen”–A People Brutalised Yet Again

Another photographer turns up at another manufactured ‘traditional’ geography, and produces another set of racist, reductive and entirely fake set of images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures and makes them into concocted objects for class titillation and voyeurism. And this American magazine–mired deep in the heart of American imperialism, its violence and its brutality–publishes the images and accompanies them with what can only be described as one of the most incredibly ahistorical, obfuscatory and infantile articles I have read outside of stuff frequently published by Time Magazine and/or The New York Times.

Details »

Thomas Sankara’s Restless Children

The project is now complete. Although, we may never really complete the telling of this remarkable story. You can see the project by clicking on this link here, or on the image below.


Eyes Of Aliyah–Deport, Deprive, Extradite Initiative By Nisha Kapoor

I have publicly and on this forum very explicitly argued against the strange ‘disappearance’ of black/brown bodies that are the actual targets and victims of our ‘liberal’ state policies of surveillance, entrapment, drone assassinations, renditions and indefinite detention. I recently argued:

“Western visual journalism, and visual artists, have erased the actual victims of the criminal policies of the imperial state. Instead, most all have chosen to produce a large array of projects examining drone attacks, surveillance, detentions and other practices, through the use of digital abstractions, analogous environments, still life work or just simply the fascinating and enticing safety of datagrams and charts. Even a quick look at recent exhibitions focusing on the ‘war on terror’ or wars in general, have invited works that use digital representations of war, or focus on the technologies of war. An extreme case of this deflection are recent projects on drone warfare that not only avoid the actual brown/black bodies that are the targets of deadly drone attacks, but are not even produced anywhere near the geographies and social ecologies where drone attacks continue to happen! Yet, these works have found tremendous popularity, though i remain confused what kinds of conversations or debates they provoke given that the voices of the families of those who have been killed, are not only entirely missing, but people who can raised the difficult questions about the lies and propaganda that are used to justify the killings, are also entirely missing.”

Details »

Public Release of “The Sinner”

This is my first feature length documentary film and we–Justice Project Pakistan, with the guiding support of Sarah BelalRimmel Mohydin and others at Justice Project Pakistan, are finally releasing it.

And we are doing it first in Pakistan.

The film takes us into the world of capital punishment in Pakistan through the life of one man; Jan Masi. Jan Masi worked as an execution for nearly 30 years, and claims to have executed over 1800 people. He started his work in the enthusiastic pursuit of revenge for the execution of Pakistan’s Prime Minister Zulfiqar Ali Bhutto.

This isn’t a typical documentary film. No talking heads. No linear story-telling. No polemics or moral grand standing. No righteous exclamations against capital punishment. Instead, Jan Masi, his life, his scars, his fears and despair, act as metaphors for the meaning of capital punishment in Pakistan, and the consequences it has on the broader Pakistani society.

Sudhir Patwardhan

Sudhir Patwardhan.

Can you discover ‘an influence’ after the fact?

What do you call someone who seems to embody your eye, your sensibility, and yet you had never seen his / her work, and yet, when you now see it, you see the ‘influence’…the similarities?

Is he confronting the same questions? Is he seeing this incredibly complex and multi-layered world with the same desire to depict it as close to that complexity as possible?

I was taken aback. The aesthetic pursuit is so familiar. It is as if he is a step ahead of me. He is a step ahead of me.

I am going through these images–gorgeous, striking, unique, and no, I refuse to give you some ‘European’ reference to understand them in any way. They are Patwardhan’s and his alone. But I want to make them as photographs.

They are the photographs I would make if in Mumbai. It is beautiful stuff. It makes me want to go and make photographs.

Details »

Make It Right For Palestine, November 4, 2017

Be there. Hyde Park. Speaker’s Corner. London. 12:00 noon. 4th November, 2017.

The Polis Project…Is Up And Running

If you can’t join them, then just do it on your own.

We launched a new collective focused on research, reportage and resistance. The specific goals and objectives are being developed as we speak, but the idea is a simple one: to collect under one banner a group of individuals from different fields – artists, writers, academics, photographers, intellectuals, poets and others, who are consistently working against the grain. In this time of collective conformity, and a media sycophancy to power and extremism, some of us felt the need to create a small space where people are still determined to refuse the agendas of political power, debilitating capitalism, nationalist extremism and neoliberal idiocy, and remain fools in their hearts, and idealists in their souls.

Details »

Short Doc: “As If A Nightmare”;The Story Of Former Bagram Prisoner Abdul Haleem Saifullah

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

Details »

Short Doc: “Prisoner 1432” – The Story of Former Bagram Prisoner Amanatullah Ali

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

Details »

10 Things To Consider…

I recommend that photographers, photojournalists, documentary photographers remember these wise words by Tania Canas, RISE Arts Director / Member – I am copying and pasting it here. As brown and black bodies are stripped of their clothing, as brown and black children are dehumanised to mere misery, as brown and black women are reduced to simply victims, as ghettos and brothels and refugee camps and slums become the ‘paint by number’ formula for White photographer’s career and publishing success, it becomes increasingly important that those of us on the receiving end of White ‘largesse’ begin to build obstacles, speak back, and refuse / reject these ‘representations’ and their reductive, violent and brutal narrative frames. We have lost too much, and are in danger of whatever little we have left as humans and as histories, if we permit this process to continue.

Details »

%d bloggers like this: