The program does not go far enough, to be honest, but I was pleasantly surprised to see a news channel taking on the question
This of course is a subject well covered in some interesting books. The few come immediately to mind and that I consider interesting because they examination of the close collaboration between the United States arms of warfare and the United States arms of entertainment to sell a specific angle and perspective on the conflict the nation may be engaged in.
The most recent war sold has of course has been the ‘war against terror’ and the speed and energy with which Hollywood (and here I include television productions) has trotted out venomous and evil ‘Muslim’ terrorists out to ‘nuke’ America, created fantasy scenarios that set up the necessity of using torture and the many lives that were later saved, the ease with which extra-judiciary killings, incarcerations, and brutality were justified through scripts bent on simplifying the world into ‘with us/with them’, and the powerful ways in which our invasions and occupations have been re-cast as conflicts without histories and without our agency.
But this is an old story, and it goes back to WWII as Koppes and Black explain in Hollywood Goes To War: How Politics, Profits and Propaganda Shaped World War II Movies.
A work that looks at a more contemporary application of the same principles is Douglas Kellner’s Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era.
Then there is also Bogg’s Hollywood War Machine: US Militarism & Popular Culture. And so much more that helps us understand the reason we see what we see on the silver screen.
This is a broad, complex subject but in an age euphemistically known as ‘the information age’ our individual liberties and in fact our ability to defend or weakening democratic institutions depends on our understanding what we are told is ‘information’ and ‘news’, how this information is manufactured and sourced, how it is approved for distribution and dissemination, and how it is influenced. We are excited at the ease of access of information, but too many are too quick to grab the ‘corporate’ ease of an iPhone application, or the cable television news channels, or the laziness of the prime time evening news, and never bother to think about how all the information that is coming at them is prepared, packaged and presented.
There is no doubt that Hollywood films have been at the forefront of creating the popular beliefs that allow us to perpetuate war endlessly, and continue to silence as our public services and rights are erased while trillions continue to flow into the pockets of the military establishment and private corporate interests. popular assumptions about what is right, what is wrong, what is essential, what is compelled, are always manufactured assumptions. this is perhaps one of the oldest lessons of war and propaganda.
And while you are at it, this may also be a great time to return to Leni Reifenstahl’s Triump Of The Will to remember the original masters who conflated entertainment, and war, and helped close our minds while opening our will towards conquest and mayhem.