Hollywood And War Or How The Silver Screen Is Also An Obfuscating Veil

The program does not go far enough, to be honest, but I was pleasantly surprised to see a news channel taking on the question

This of course is a subject well covered in some interesting books. The few come immediately to mind and that I consider interesting because they examination of the close collaboration between the United States arms of warfare and the United States arms of entertainment to sell a specific angle and perspective on the conflict the nation may be engaged in.

The most recent war sold has of course has been the ‘war against terror’ and the speed and energy with which Hollywood (and here I include television productions) has trotted out venomous and evil ‘Muslim’ terrorists out to ‘nuke’ America, created fantasy scenarios that set up the necessity of using torture and the many lives that were later saved, the ease with which extra-judiciary killings, incarcerations, and brutality were justified through scripts bent on simplifying the world into ‘with us/with them’, and the powerful ways in which our invasions and occupations have been re-cast as conflicts without histories and without our agency.

But this is an old story, and it goes back to WWII as Koppes and Black explain in Hollywood Goes To War: How Politics, Profits and Propaganda Shaped World War II Movies.

A work that looks at a more contemporary application of the same principles is Douglas Kellner’s Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era.

Then there is also Bogg’s Hollywood War Machine: US Militarism & Popular Culture. And so much more that helps us understand the reason we see what we see on the silver screen.

There are a lot of works that explore and highlight the close ties between those who produce mass media products like movies, television, mainstream newspapers, radio programs etc.

This is a broad, complex subject but in an age euphemistically known as ‘the information age’ our individual liberties and in fact our ability to defend or weakening democratic institutions depends on our understanding what we are told is ‘information’ and ‘news’, how this information is manufactured and sourced, how it is approved for distribution and dissemination, and how it is influenced. We are excited at the ease of access of information, but too many are too quick to grab the ‘corporate’ ease of an iPhone application, or the cable television news channels, or the laziness of the prime time evening news, and never bother to think about how all the information that is coming at them is prepared, packaged and presented.

There is no doubt that Hollywood films have been at the forefront of creating the popular beliefs that allow us to perpetuate war endlessly, and continue to silence as our public services and rights are erased while trillions continue to flow into the pockets of the military establishment and private corporate interests. popular assumptions about what is right, what is wrong, what is essential, what is compelled, are always manufactured assumptions. this is perhaps one of the oldest lessons of war and propaganda.

And while you are at it, this may also be a great time to return to Leni Reifenstahl’s Triump Of The Will to remember the original masters who conflated entertainment, and war, and helped close our minds while opening our will towards conquest and mayhem.

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Waiting For An American Knight In Liberal Armor

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Farahnaz Ispahani and Nina Shea try to speak about Pakistan, but get it entirely wrong. Their blinkered history, their a-historical depiction of the genuine problem that they identify is sad and embarrassing to read. And nothing was more embarrassing to read than their conclusion that states:

The United States should make an unapologetic defense of free speech in every appropriate forum and work to roll back this subversive secular law. We should lend moral support to the majority of Pakistanis who are struggling to retain a semblance of a democratic and pluralist society and peace in the region. To the world’s detriment, the administration underestimated the Islamic State. The damage will be all the greater if we continue to ignore the danger from Pakistan’s blasphemy law.

Instead of tearing this gibberish, hypocritical, ahistorical and frankly completely nonsensical suggestion that somehow the USA is a voice for free speech, or worst, not implicated in the religious madness that has infected Pakistan through its repeated and decades long support for every fanatical dictator that ever spit on the country, let me quote Eqbal Ahmed instead to reveal the true nature of America’s hand in Pakistan:

There is an increasingly perceptible gap between our need for social transformation and America’s insistence on stability, between our impatience for change and American’s obsession with order, our move towards revolution and America’s belief in the plausibility of achieving reforms under the robber barons of the ‘third world’, our longing for absolute national sovereignty and America’s preference for pliable allies, our desires to see our national soil free of foreign occupation and America’s alleged need for military bases.

(Eqbal Ahmed in a dialogue with Samuel Huntington, from No More Vietnams: War and the Future of American Policy) Details »

AFRICAN PHOTOGRAPHERS: Hassan Hajjaj

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AFRICAN PHOTOGRAPHERS: VIvian Sassen

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AFRICAN PHOTOGRAPHERS: Alexia Webster

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AFRICAN PHOTOGRAPHERS: Santo Mofokeng

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AFRICAN PHOTOGRAPHERS: Daniel Naude

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AFRICAN PHOTOGRAPHERS: Nyaba Leon Ouedraogo

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AFRICAN PHOTOGRAPHERS: Nii Obodia

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Details »

AFRICAN PHOTOGRAPHERS: Invisible Borders: The Trans-African Project

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AFRICAN PHOTOGRAPHERS: Namsa Leuba

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