The Dead Can’t Dance And I Refuse To Either Or Why I Insist On Remembering While Others Insist On Drinking To Forget

We have invaded two nations because we were told that we must. Both illegally and in violation of all known international law.

We have murdered possibly over a million Afghanis and Iraqis and Pakistanis and others in the process. And continue to kill them at will in Afghanistan and Iraq.

We have displaced and dislocated from Iraq, Afghanistan and Pakistan other millions, forever ruining their lives and humanity. And forever consigning them to the void of suspicion, fear and prejudice.

We constructed hundreds of millions of dollars worth of military bases and detention centers in Afghanistan and Iraq. And now use them for ‘forward projection’ in the so-called war against a noun.

We continue to occupy Iraq and Afghanistan and use massive military force to retain our jack boots over their necks while funding and supporting illegal and completely illegitimate governments that we described as ‘democratic’ and ‘parliamentary’.

We have invited private militia and corporate mercerneries to the party and given out contracts worth billions to make it appealing for them.

We have detained innocents, including American citizens, indefinitely and still refuse to give them appropriate justice. President Obama willingly continuing the illegal and unjust policies of his predecessors

We have tortured them relentlessly (oh, sorry, we have enhanced interrogated them!)  and strong armed our civilized courts and bureaucratic apparatchiks to justify our actions.

We have renditioned them and sent them off to our ‘allies’ in other parts of the world to be tortured, maimed and killed. And there is no end to this program.

We have illegally eavesdropped on our citizens, violating our own laws in the process. And it continues.

We have sent American men and women into useless wars and watched thousands of them die to cover our lies and greed. And thousands more will die in the coming days.

We have curtailed civil rights and liberties within the USA all in the name of a war against a noun. And there is no turning back.

We have handed over trillions of dollars to the military and to private contractors just as our own economy has gone bankrupt and our citizens are being thrown out of their homes, jobs and futures.

We have handed over trillions of dollars to Wall Street, while the ordinary have been begging for pension handouts and calling it ‘revolutionary’ action. And each time I ask why, I am told that it was the good of the nation. And its security.

We are closing down our schools, reducing our welfare programs, cutting back public and state budgets, taking away what little healthcare we could afford, allowing our infrastructure to rot, corporatizing our congressional and house leadership, inflaming Islamophobia because we have run out of political and public service ideas and all while simultaneously approving more money for security programs, anti-immigration programs, military invasions and wars, and new and improved intelligence programs.

We have been doing this for ten years, and as my nation sinks into economic pointlessness and desperation, I am being told that I should celebrate the killing of a largely if not completely irrelevant ‘Enemy #1’.

I am supposed to forget all this for the sake of a party and a beer. I am supposed to just not ask the hard questions, never look back as Obama so stupidly said Look Forward, Not Backward. 

I am supposed to ignore the sheer hideousness of the fact that what actually got this useless trophy took nothing more than a few months of intelligence work (can bribing the Pakistani ISI be considered ‘intelligence work’?), a small commando unit, and a raid in the city of Abbotabad – one of Pakistan’s largest military cantonment cities and less than hour away from its capital Islamabad?

Am I to believe that no one bothered to look inside what must have been the strangest and most conspicuous house in the entire town – 12 foot walls, barbed wire, clandestine comings and goings, high security controls, etc. to see who may be there? A house smack in the center of a major Pakistani military city, under the very nose of Pakistani and American intelligence. Am I to believe that we waged years of drone wars in the mountains, leaving thousands of dead and tens of thousands displaced, while never bothering to look over the walls of our city offices? If not I, then would not the thousands of dead want to know the answer to this question.

Why do I feel that I have just been made a fool of and am now being told to hold the Star Spangled Banner and dance around like a monkey? Why can’t I get over the feeling that I have just been sold a lemon, and the salesman is laughing while counting my cash?

Perhaps it’s just me but I can’t celebrate or wave this flag. I can’t get past the horrors of these preceding years. I can’t stop hearing the echoes of the arrogant lies, nor the screams of the millions of innocent lives lost to pave the road of our righteousness with their blood and souls. I can’t help but lament this fraud, since nothing changes, and all paranoid fantasies of ‘invading demons’ continue as before. More wars, more security, more torture, more fear, mor screaming hysteria about the dangers to ‘our way of life’.

I beg for mercy. Please don’t ask this American to dance. I beg for mercy. Please don’t demand that this American forget. I beg for mercy, please let this American remember. There is still so much more to come. So much more that I will have to remember for future days when I will be told to forget. Please let me sit here….and remember.

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From “Headmen” To “Hitmen”–A People Brutalised Yet Again

Another photographer turns up at another manufactured ‘traditional’ geography, and produces another set of racist, reductive and entirely fake set of images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures and makes them into concocted objects for class titillation and voyeurism. And this American magazine–mired deep in the heart of American imperialism, its violence and its brutality–publishes the images and accompanies them with what can only be described as one of the most incredibly ahistorical, obfuscatory and infantile articles I have read outside of stuff frequently published by Time Magazine and/or The New York Times.

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Thomas Sankara’s Restless Children

The project is now complete. Although, we may never really complete the telling of this remarkable story. You can see the project by clicking on this link here, or on the image below.


Eyes Of Aliyah–Deport, Deprive, Extradite Initiative By Nisha Kapoor

I have publicly and on this forum very explicitly argued against the strange ‘disappearance’ of black/brown bodies that are the actual targets and victims of our ‘liberal’ state policies of surveillance, entrapment, drone assassinations, renditions and indefinite detention. I recently argued:

“Western visual journalism, and visual artists, have erased the actual victims of the criminal policies of the imperial state. Instead, most all have chosen to produce a large array of projects examining drone attacks, surveillance, detentions and other practices, through the use of digital abstractions, analogous environments, still life work or just simply the fascinating and enticing safety of datagrams and charts. Even a quick look at recent exhibitions focusing on the ‘war on terror’ or wars in general, have invited works that use digital representations of war, or focus on the technologies of war. An extreme case of this deflection are recent projects on drone warfare that not only avoid the actual brown/black bodies that are the targets of deadly drone attacks, but are not even produced anywhere near the geographies and social ecologies where drone attacks continue to happen! Yet, these works have found tremendous popularity, though i remain confused what kinds of conversations or debates they provoke given that the voices of the families of those who have been killed, are not only entirely missing, but people who can raised the difficult questions about the lies and propaganda that are used to justify the killings, are also entirely missing.”

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Public Release of “The Sinner”

This is my first feature length documentary film and we–Justice Project Pakistan, with the guiding support of Sarah BelalRimmel Mohydin and others at Justice Project Pakistan, are finally releasing it.

And we are doing it first in Pakistan.

The film takes us into the world of capital punishment in Pakistan through the life of one man; Jan Masi. Jan Masi worked as an execution for nearly 30 years, and claims to have executed over 1800 people. He started his work in the enthusiastic pursuit of revenge for the execution of Pakistan’s Prime Minister Zulfiqar Ali Bhutto.

This isn’t a typical documentary film. No talking heads. No linear story-telling. No polemics or moral grand standing. No righteous exclamations against capital punishment. Instead, Jan Masi, his life, his scars, his fears and despair, act as metaphors for the meaning of capital punishment in Pakistan, and the consequences it has on the broader Pakistani society.

Sudhir Patwardhan

Sudhir Patwardhan.

Can you discover ‘an influence’ after the fact?

What do you call someone who seems to embody your eye, your sensibility, and yet you had never seen his / her work, and yet, when you now see it, you see the ‘influence’…the similarities?

Is he confronting the same questions? Is he seeing this incredibly complex and multi-layered world with the same desire to depict it as close to that complexity as possible?

I was taken aback. The aesthetic pursuit is so familiar. It is as if he is a step ahead of me. He is a step ahead of me.

I am going through these images–gorgeous, striking, unique, and no, I refuse to give you some ‘European’ reference to understand them in any way. They are Patwardhan’s and his alone. But I want to make them as photographs.

They are the photographs I would make if in Mumbai. It is beautiful stuff. It makes me want to go and make photographs.

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Make It Right For Palestine, November 4, 2017

Be there. Hyde Park. Speaker’s Corner. London. 12:00 noon. 4th November, 2017.

The Polis Project…Is Up And Running

If you can’t join them, then just do it on your own.

We launched a new collective focused on research, reportage and resistance. The specific goals and objectives are being developed as we speak, but the idea is a simple one: to collect under one banner a group of individuals from different fields – artists, writers, academics, photographers, intellectuals, poets and others, who are consistently working against the grain. In this time of collective conformity, and a media sycophancy to power and extremism, some of us felt the need to create a small space where people are still determined to refuse the agendas of political power, debilitating capitalism, nationalist extremism and neoliberal idiocy, and remain fools in their hearts, and idealists in their souls.

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Short Doc: “As If A Nightmare”;The Story Of Former Bagram Prisoner Abdul Haleem Saifullah

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

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Short Doc: “Prisoner 1432” – The Story of Former Bagram Prisoner Amanatullah Ali

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

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10 Things To Consider…

I recommend that photographers, photojournalists, documentary photographers remember these wise words by Tania Canas, RISE Arts Director / Member – I am copying and pasting it here. As brown and black bodies are stripped of their clothing, as brown and black children are dehumanised to mere misery, as brown and black women are reduced to simply victims, as ghettos and brothels and refugee camps and slums become the ‘paint by number’ formula for White photographer’s career and publishing success, it becomes increasingly important that those of us on the receiving end of White ‘largesse’ begin to build obstacles, speak back, and refuse / reject these ‘representations’ and their reductive, violent and brutal narrative frames. We have lost too much, and are in danger of whatever little we have left as humans and as histories, if we permit this process to continue.

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