This post was originally written in the aftermath of Israel’s Operation Cast Lead in 2008 / 2009. As Israel threatens to once again invade the territory, its determination to incite violence and provoke reactions remains unrecognized and unreported by our media. Some important correctives can be found here, here and here. This is, as it was the first time around, for my friends in Gaza.
Location: Jabaliya refugee camp, Gaza City. 2009
“And what projects are you working on at the moment?”
“An exhibition…and…I’m working on the completion of a new book, something very close to my heart.”
“What’s it about?”
There was a rather long silence…my friend looked at me with a slightly sad smile, and said “Sure, why not! But don’t you think the subject’s a bit dated? Look, I’ve taken photographs of the Palestinians too, especially in the refugee camps…its really sad! But these days, who’s interested in people who eat off the ground with their hands? And then there’s all that terrorism…I’d have thought you’d be better off using your energy and capabilities on something more worthwhile!”
Swiss photographer Jean Mohr describes a conversation with a friend.(1) Details »
Let me get right to the point – Photography curators and editors refuse to acknowledge, examine and critically analyse the fundamental and at times definitive influences that the institutions of production have on the kinds of war photographs that are made, and the perspectives that are adopted in them. There seems to be a collusion between these ‘gatekeepers’ of the craft, to never raise the question about the publications the war photographer was on assignment for, the editorial prejudices of that publication, the proclivities and prejudices of the market into which the particular war photographer was aiming her work at, and the broader political and cultural baggage which the photographer carried with her to the work. Details »
This is the official announcement of the start of the Justice in Pakistan project.
The website above is a project work in progress website and it will reveal the unfolding and evolution of the project over the course of the next twelve months. I have recently arrived in Lahore and made a small studio and base of operations here. And I will admit that I am quite overwhelmed by the task I have set for myself, but at the same time I am quite certain that it will result in a unique work. Details »