This Is Not The Brown Woman You Are Looking For. Move On.

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RAWA was and remains isolated and ignored in our feminist West. This is obviously because the women of RAWA – these incredible women who have fought against tyranny since the Soviet invasion, until today under the US puppet regimes, have never backed down and never flinched from speaking against the hubris and vile delusions of Western imperialism. And so it continues, their quiet, determined and courageous acts of dissent and criticism, despite the silence, abandonment and disdain offered to them from Western feminist organisations and people. Heela will never see the better side of a White House visit, or be invited into the million-dollar homes of fashion-feminists, or even be a poster child for a ‘serious’ humanitarian NGO, because of words like these:


“Treatment of women in Afghanistan would put even cannibals to shame”, some whispered in the audience. She spoke out about women in Afghanistan crushed by several demonic forces including the US and its allies, Jihadists, Taliban, and now the ISIS.

Coming down heavily on America she contended, “The US used women’s rights as an excuse to invade my country Afghanistan and continues to kill innocent women and children and conduct their terrifying drone attacks and chilling night raids in all parts of Afghanistan. The biggest crime the US has committed is the installation of fundamentalists in a puppet government.”

Without a blink, she pointed to the alleged black sheep in the government made with US support “Afghanistan’s National Unity Government is headed by long-time CIA mercenaries- Ashraf Ghani (current President of Afghanistan) and Abdullah Abdullah (CE of Afghanistan), after US Secretary of state John Kerry brokered a deal.” And added “Abdullah Abdullah is one of the leaders of the most infamous fundamentalist parties of Afghanistan, Shoraye Nizar.”

She further accused “Afghanistan’s current government, Parliament, and judiciary are all occupied at highest positions by criminals, heinous fundamentalists and warlords implicated in grave war crimes, and enjoy unconditional backing of western powers”. “


And so here is to these amazing women, and to never falling prey to the false feminism, the fraudulent ‘gender equality’ campaigns, the misleading concerns for ‘women’s rights’ that the West, its NGOs and its collaborating journalists/photojournalists, so love to stain the world with. I have written about the women of RAWA, and the pathetic way in which Western / American humanists, humanitarians, feminists and liberals simply discarded them once they realised that these women were just not ready to offer empty bromides about American exceptionalism, their gratefulness for the illegal American invasion and occupation of their country, or the veil the massive violence that continues because of the American political and military collusion with some of the more prominent war criminals, criminals, and fundamentalist in the country. I have written about the women of RAWA in a number of earlier posts, including this one where I pointed out:

Now before I am misunderstood (and I realize that few will read this far!) Let me be clear on one point; the suffering of the Afghani woman under the Taliban regime was extreme and hideous. No organization documented and spoke out more against that period and the treatment of women under that regime than the Revolutionary Association of the Women of Afghanistan (RAWA) which was led by Meena Keshwar Kamal. In 1979, Kamal began a campaign against Soviet forces and the Soviet-supported government of Afghanistan. Her activities and views, as well as her work against the government and religious fundamentalists led to her assassination on February 4, 1987. But the organization lived on and carried on its work to show the horrors of the Taliban regime.

In fact, it was so popular in our propaganda war against the Soviet that RAWA that it was awarded over 16 awards and certificates from around the world for its work for human rights and democracy, some of the awards include The sixth Asian Human Rights Award – 2001, The French Republic’s Liberty, Equality, Fraternity Human Rights Prize, 2000, Emma Humphries Memorial Prize 2001, Glamour Women of the Year 2001, 2001 SAIS-Novartis International Journalism Award from Johns Hopkins University, Certificate of Special Congressional Recognition from the U.S. Congress, 2004, Honorary Doctorate from University of Antwerp (Belgium) for outstanding non-academic achievements, as well as many other awards.

But when RAWA started to speak out against the American/NATO presence and the regime, it was sidelined. RAWA is a severe critic of the American/NATO alliance and its cronies in government. It has continued it struggle for Afghani women’s rights and protection and argued that:

The US “War on terrorism” removed the Taliban regime in October 2001, but it has not removed religious fundamentalism which is the main cause of all our miseries. In fact, by reinstalling the warlords in power in Afghanistan, the US administration is replacing one fundamentalist regime with another. The US government and Mr.Karzai mostly rely on Northern Alliance criminal leaders who are as brutal and misogynist as the Taliban.

But you would know this from the magazine, which has made a mockery of any pretense of independence and integrity. It tries to hide that it is the US/NATO that has sunk billions into the country, that controls its government and all civic institutions, and that these crimes against women are taking place under its watch.

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From “Headmen” To “Hitmen”–A People Brutalised Yet Again

Another photographer turns up at another manufactured ‘traditional’ geography, and produces another set of racist, reductive and entirely fake set of images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures and makes them into concocted objects for class titillation and voyeurism. And this American magazine–mired deep in the heart of American imperialism, its violence and its brutality–publishes the images and accompanies them with what can only be described as one of the most incredibly ahistorical, obfuscatory and infantile articles I have read outside of stuff frequently published by Time Magazine and/or The New York Times.

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Thomas Sankara’s Restless Children

The project is now complete. Although, we may never really complete the telling of this remarkable story. You can see the project by clicking on this link here, or on the image below.


Eyes Of Aliyah–Deport, Deprive, Extradite Initiative By Nisha Kapoor

I have publicly and on this forum very explicitly argued against the strange ‘disappearance’ of black/brown bodies that are the actual targets and victims of our ‘liberal’ state policies of surveillance, entrapment, drone assassinations, renditions and indefinite detention. I recently argued:

“Western visual journalism, and visual artists, have erased the actual victims of the criminal policies of the imperial state. Instead, most all have chosen to produce a large array of projects examining drone attacks, surveillance, detentions and other practices, through the use of digital abstractions, analogous environments, still life work or just simply the fascinating and enticing safety of datagrams and charts. Even a quick look at recent exhibitions focusing on the ‘war on terror’ or wars in general, have invited works that use digital representations of war, or focus on the technologies of war. An extreme case of this deflection are recent projects on drone warfare that not only avoid the actual brown/black bodies that are the targets of deadly drone attacks, but are not even produced anywhere near the geographies and social ecologies where drone attacks continue to happen! Yet, these works have found tremendous popularity, though i remain confused what kinds of conversations or debates they provoke given that the voices of the families of those who have been killed, are not only entirely missing, but people who can raised the difficult questions about the lies and propaganda that are used to justify the killings, are also entirely missing.”

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Public Release of “The Sinner”

This is my first feature length documentary film and we–Justice Project Pakistan, with the guiding support of Sarah BelalRimmel Mohydin and others at Justice Project Pakistan, are finally releasing it.

And we are doing it first in Pakistan.

The film takes us into the world of capital punishment in Pakistan through the life of one man; Jan Masi. Jan Masi worked as an execution for nearly 30 years, and claims to have executed over 1800 people. He started his work in the enthusiastic pursuit of revenge for the execution of Pakistan’s Prime Minister Zulfiqar Ali Bhutto.

This isn’t a typical documentary film. No talking heads. No linear story-telling. No polemics or moral grand standing. No righteous exclamations against capital punishment. Instead, Jan Masi, his life, his scars, his fears and despair, act as metaphors for the meaning of capital punishment in Pakistan, and the consequences it has on the broader Pakistani society.

Sudhir Patwardhan

Sudhir Patwardhan.

Can you discover ‘an influence’ after the fact?

What do you call someone who seems to embody your eye, your sensibility, and yet you had never seen his / her work, and yet, when you now see it, you see the ‘influence’…the similarities?

Is he confronting the same questions? Is he seeing this incredibly complex and multi-layered world with the same desire to depict it as close to that complexity as possible?

I was taken aback. The aesthetic pursuit is so familiar. It is as if he is a step ahead of me. He is a step ahead of me.

I am going through these images–gorgeous, striking, unique, and no, I refuse to give you some ‘European’ reference to understand them in any way. They are Patwardhan’s and his alone. But I want to make them as photographs.

They are the photographs I would make if in Mumbai. It is beautiful stuff. It makes me want to go and make photographs.

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Make It Right For Palestine, November 4, 2017

Be there. Hyde Park. Speaker’s Corner. London. 12:00 noon. 4th November, 2017.

The Polis Project…Is Up And Running

If you can’t join them, then just do it on your own.

We launched a new collective focused on research, reportage and resistance. The specific goals and objectives are being developed as we speak, but the idea is a simple one: to collect under one banner a group of individuals from different fields – artists, writers, academics, photographers, intellectuals, poets and others, who are consistently working against the grain. In this time of collective conformity, and a media sycophancy to power and extremism, some of us felt the need to create a small space where people are still determined to refuse the agendas of political power, debilitating capitalism, nationalist extremism and neoliberal idiocy, and remain fools in their hearts, and idealists in their souls.

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Short Doc: “As If A Nightmare”;The Story Of Former Bagram Prisoner Abdul Haleem Saifullah

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

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Short Doc: “Prisoner 1432” – The Story of Former Bagram Prisoner Amanatullah Ali

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

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10 Things To Consider…

I recommend that photographers, photojournalists, documentary photographers remember these wise words by Tania Canas, RISE Arts Director / Member – I am copying and pasting it here. As brown and black bodies are stripped of their clothing, as brown and black children are dehumanised to mere misery, as brown and black women are reduced to simply victims, as ghettos and brothels and refugee camps and slums become the ‘paint by number’ formula for White photographer’s career and publishing success, it becomes increasingly important that those of us on the receiving end of White ‘largesse’ begin to build obstacles, speak back, and refuse / reject these ‘representations’ and their reductive, violent and brutal narrative frames. We have lost too much, and are in danger of whatever little we have left as humans and as histories, if we permit this process to continue.

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