Are We Winning Yet?

It was just a little over a month ago that ‘important’ journalists were telling us that ‘Pakistan is winning the War against Terrorism’? There was this:

Screen Shot 2016-04-25 at 11.20.52

against which I had argued, among other points:

This narrative of ‘good’ mass murder (our Army’s) vs. ‘bad’ mass murder can’t fly. To even use the phrase ‘war on terror’ is a problem because it imposes a foreign framework of thought on what are regional – politically, historically, conflagrations and require local resolutions. You can’t kill a people’s discontent, you can’t repress political voices. Egypt tried this and has failed. The Army is not winning anything other than a war to coerce media messages – such as this piece clearly published in an American mag to satisfy our American patrons, but anyone who works on the ground knows and sees a people’s anger. It is this anger that requires this repressive apparatus against media and criticism. Our journalist are killed or quit and the army launches a massive PR campaign. Anyone who has spent a day in Quetta, or tried to speak to people anywhere near the FATA areas, knows about the massive human rights and common moral and ethical violations that are the footprint of our ‘brave’ military and its generals. What is taking place is mass murder of Pakistani citizens by its own military establishment, which uses selectively murdered ‘bad’ religious types to veil its other larger acts of criminality and violence. From Swat to Baluchistan, what is being sown will soon be reaped.”


and then there was this:

Screen Shot 2016-04-25 at 11.20.52

In response to this one I had argued, among other things:

[The article] takes a very simply and disingenuous definition of ‘terrorism’. terrorism is not attacks – terrorism is politics by other means. and if the situation that created the politics remains unchanged, the means will remain unchanged. the State can only repress and disrupt, disperse and partly disuade through bribes, and other acts. but if you continue to believe that terrorism has no meaning, no politics, no history, no intent, no goal, no thought, no plan, you will only always see the solution to it as more and more violence, more and more brutality, and paradoxically create a situation of more and more counter-violence and more and more counter-brutality. ISIS is a living example, the TTP is a living example in Pakistan. the attacks are getting more and more spectacular, and bigger, though their numbers are falling. but the fact remains that the Pakistani state is on the wrong side of this situation i.e it is a state aiding and colluding with an illegal military occupation of a state where a large part of the inhabitants refuse to recognize the occupier-installed and funded government, and are determined to overthrow it. as is their right. tragically this reality upsets a lot of people, but you don’t have to like or condone a society to acknowledge that it has rights too, and that these rights are protected by international law and ideas of justice.

What happened to all that bravado?

 new screen

Hanif will have none of it, and I am glad for it.

After the 2014 attack on the Army public school in Peshawar, where more than 140 schoolchildren and their teachers were butchered, we decided to go to war. Not just another army operation, but a proper war with fighter jets in the air, tanks on the ground, bloodcurdling war anthems on television, and summary trials and pre-dawn hangings. A final decisive war in which every last terrorist will be eliminated, we are told every day. We are happy because some of us had begged for this war for a long time. We are loving this war. “Bomb them,” we tell Pakistan’s army, “crush them, hit them with all you have.” Taliban were very fond of showing us videos of them killing us. Now we say: save us the gory details, kill them and keep the pictures. Sometimes we find out about hangings through a tweet from the army spokesman: four terrorists hanged this morning. Victory.

So much bloodlust among the otherwise faint-hearted, human-rights loving, free-range egg consuming people is a slightly disturbing sight. Many more people have marched in support of Qadri than we have had express solidarity with the families of thousands who have been killed by Taliban. We want the state to protect our lives, property and way of life. Sometimes we are not quite sure that this way of life is pious enough.”

Indeed, our free-range egg lovers are again calling for more blood, and more of the same policies of killing and mayhem. The mad continue their madness, and the rest of watch can only stand and look in fear over our shoulders

No Comments

Sorry, the comment form is closed at this time.

From “Headmen” To “Hitmen”–A People Brutalised Yet Again

Another photographer turns up at another manufactured ‘traditional’ geography, and produces another set of racist, reductive and entirely fake set of images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures and makes them into concocted objects for class titillation and voyeurism. And this American magazine–mired deep in the heart of American imperialism, its violence and its brutality–publishes the images and accompanies them with what can only be described as one of the most incredibly ahistorical, obfuscatory and infantile articles I have read outside of stuff frequently published by Time Magazine and/or The New York Times.

Details »

Thomas Sankara’s Restless Children

The project is now complete. Although, we may never really complete the telling of this remarkable story. You can see the project by clicking on this link here, or on the image below.


Eyes Of Aliyah–Deport, Deprive, Extradite Initiative By Nisha Kapoor

I have publicly and on this forum very explicitly argued against the strange ‘disappearance’ of black/brown bodies that are the actual targets and victims of our ‘liberal’ state policies of surveillance, entrapment, drone assassinations, renditions and indefinite detention. I recently argued:

“Western visual journalism, and visual artists, have erased the actual victims of the criminal policies of the imperial state. Instead, most all have chosen to produce a large array of projects examining drone attacks, surveillance, detentions and other practices, through the use of digital abstractions, analogous environments, still life work or just simply the fascinating and enticing safety of datagrams and charts. Even a quick look at recent exhibitions focusing on the ‘war on terror’ or wars in general, have invited works that use digital representations of war, or focus on the technologies of war. An extreme case of this deflection are recent projects on drone warfare that not only avoid the actual brown/black bodies that are the targets of deadly drone attacks, but are not even produced anywhere near the geographies and social ecologies where drone attacks continue to happen! Yet, these works have found tremendous popularity, though i remain confused what kinds of conversations or debates they provoke given that the voices of the families of those who have been killed, are not only entirely missing, but people who can raised the difficult questions about the lies and propaganda that are used to justify the killings, are also entirely missing.”

Details »

Public Release of “The Sinner”

This is my first feature length documentary film and we–Justice Project Pakistan, with the guiding support of Sarah BelalRimmel Mohydin and others at Justice Project Pakistan, are finally releasing it.

And we are doing it first in Pakistan.

The film takes us into the world of capital punishment in Pakistan through the life of one man; Jan Masi. Jan Masi worked as an execution for nearly 30 years, and claims to have executed over 1800 people. He started his work in the enthusiastic pursuit of revenge for the execution of Pakistan’s Prime Minister Zulfiqar Ali Bhutto.

This isn’t a typical documentary film. No talking heads. No linear story-telling. No polemics or moral grand standing. No righteous exclamations against capital punishment. Instead, Jan Masi, his life, his scars, his fears and despair, act as metaphors for the meaning of capital punishment in Pakistan, and the consequences it has on the broader Pakistani society.

Sudhir Patwardhan

Sudhir Patwardhan.

Can you discover ‘an influence’ after the fact?

What do you call someone who seems to embody your eye, your sensibility, and yet you had never seen his / her work, and yet, when you now see it, you see the ‘influence’…the similarities?

Is he confronting the same questions? Is he seeing this incredibly complex and multi-layered world with the same desire to depict it as close to that complexity as possible?

I was taken aback. The aesthetic pursuit is so familiar. It is as if he is a step ahead of me. He is a step ahead of me.

I am going through these images–gorgeous, striking, unique, and no, I refuse to give you some ‘European’ reference to understand them in any way. They are Patwardhan’s and his alone. But I want to make them as photographs.

They are the photographs I would make if in Mumbai. It is beautiful stuff. It makes me want to go and make photographs.

Details »

Make It Right For Palestine, November 4, 2017

Be there. Hyde Park. Speaker’s Corner. London. 12:00 noon. 4th November, 2017.

The Polis Project…Is Up And Running

If you can’t join them, then just do it on your own.

We launched a new collective focused on research, reportage and resistance. The specific goals and objectives are being developed as we speak, but the idea is a simple one: to collect under one banner a group of individuals from different fields – artists, writers, academics, photographers, intellectuals, poets and others, who are consistently working against the grain. In this time of collective conformity, and a media sycophancy to power and extremism, some of us felt the need to create a small space where people are still determined to refuse the agendas of political power, debilitating capitalism, nationalist extremism and neoliberal idiocy, and remain fools in their hearts, and idealists in their souls.

Details »

Short Doc: “As If A Nightmare”;The Story Of Former Bagram Prisoner Abdul Haleem Saifullah

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

Details »

Short Doc: “Prisoner 1432” – The Story of Former Bagram Prisoner Amanatullah Ali

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

Details »

10 Things To Consider…

I recommend that photographers, photojournalists, documentary photographers remember these wise words by Tania Canas, RISE Arts Director / Member – I am copying and pasting it here. As brown and black bodies are stripped of their clothing, as brown and black children are dehumanised to mere misery, as brown and black women are reduced to simply victims, as ghettos and brothels and refugee camps and slums become the ‘paint by number’ formula for White photographer’s career and publishing success, it becomes increasingly important that those of us on the receiving end of White ‘largesse’ begin to build obstacles, speak back, and refuse / reject these ‘representations’ and their reductive, violent and brutal narrative frames. We have lost too much, and are in danger of whatever little we have left as humans and as histories, if we permit this process to continue.

Details »

%d bloggers like this: