Raymond Williams work ‘Keywords’ is perhaps one of the great pioneering cultural studies text of our lifetime. There are not many works that can claim that. In it, Williams pointed out that the meaning and use of words is deeply influenced by and changes with our political, social and economic situations and needs. As Williams himself argued in the book:
“…[T]he air of massive impersonality which the Oxford Dictionary communicates is not so impersonal, so purely scholarly, or so free of active social and political values as might be supposed from its occasional use.”
Words matter. And how, when and who uses them matters profoundly. When it is a word used by Western media, one deeply implicated in upholding corporate, political and military interests, we should always keep Williams insight in mind. Hence, it is irresponsible, if not disingenuous, of any writing by a media critic or commentator when writing about the American / Western media (broadcast, print, digital, radio) to not acknowledge the existence of this political and corporate influence, and the ways in which it influences so much of what is shown and spoken about. It is also disingenuous not to acknowledged that using and manipulating the media today is a crucial goal of any political administration anywhere in the world. The reach and access of media is greater today than ever before, and its influence on opinions and ideas second only to the Church. Perhaps more so, but I do not wish to blaspheme. Hence, I am repeatedly dismayed at the persistent and consistent eraser by media critics and analysts of American and European journalism’s close relationship to political and corporate power. (Le Monde Diplomatique is an exception, reporting repeatedly on this close collaboration when it comes to French media.) So much has been written about this to be self-evident, but it is intentionally pushed aside in discussions about how news get produced, published, disseminated and discussed. From corporate and private ownership of major newspapers, to political influence and collusion with journalists and editors, we know well today how closely our media has become a propaganda machine.
So when I came across this essay titled “Should News Outlets Show Photographs of Terrorists?” by Fred Ritchen – a former photo editor at The New York Times and now a teacher at the International Center for Photography in New York, I was left confused by many of its positions. Details »