People are often confused when I tell them that I do not really know what I am doing.
It seems that photographers are expected to speak about their works and stories with greater clarity and conviction than I am often able to muster. This becomes especially problematic when I am out in the field and working on what can only be described as an intuition desperately trying to evolve into an idea, and be born as a photo project. People think that I am working on ‘a project’, when in fact all I am doing is following an instinct, fully aware that it may amount to nothing. I have done this a number of times in the past, and at times returned with nothing more than contact sheets, a smaller bank account, and unforgettable, and inevitably retrospect, invaluable experiences and insights. A couple of times these trips have yielded a major project, such as the speculative one I made to Ayodhya, India in 2008. Nevertheless these seemingly aimless trips are perhaps the most exciting thing I do as a photographer. And I am on one now, at this moment, in Bosnia’s Drina Valley. Details »