Still Speaking For The Others, But At Least Doing It Honestly

Ben Ehrenreich wrote perhaps one of the best pieces about the Palestinian resistance struggle in the town of Bilin in the West Bank against Israel’s hideous and inhumane apartheid wall. He was also the guy I quoted in a piece I wrote on Western photojournalism’s obsessive Eurocentrism when it comes to reporting on Brown and Black societies.

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The Easy Beauty Of The Unpolitical, The Effective Seduction Of The Obfuscatory

There are a number of ways in which the Israelis, desperate to speak dishonestly and evasive, about their immoral, inhumane, anachronistic and hilariously anti-Enlightenment (the Enlightenment whose false claims to universalism the Israelis love to grab hold of when it suits them), speak and represent their country and its military and illegal occupation of the West Bank and Gaza. The latter they prefer to evade with references to complex history, nuance, subtlety, a feigned presumption of complexity and sheer blatant obfuscation. When it comes to their own brutality, land-grab, genocidal erasure of another people’s lives, histories and hopes, they are all about being ‘careful’, ‘measured’ and yes, ‘artistic’. The much celebrated project, THIS PLACE – one that has been celebrated and continues to be talked about, is a classic case of a cultural propaganda effort that has now revealed it true intents, and the ahistorical, obfuscatory and frankly, hypocritical ideology that underpins it. 

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Offering Silence To The Oppressed

An exhibition called ‘Beware The Cost Of War’ recently opened in London.

Reading about it in the New York Times ‘Lens’ blog left me deeply disappointed and concerned.

Let me explain.

(Aside: Yoav Galai, the curator, is someone I have called a friend for some time now and I hope that he will forgive me for this very critical review of what is something he clearly put a lot of work in to. It is not personal, but merely a reflection on this propensity in our world to fear speaking, to raise a voice, to add details and specifics where generalizations only confuse, perpetuate injustices and acquit the guilty. I am sorry Yoav. I must say my piece.) Details »

The Limits of Photojournalism

It is perhaps the most interesting, creative and compelling book of photography I have ever read. I have looked and read it over a dozen times in the last 8 years.  Edward Said & Jean Mohr’s ‘After The Last Sky: Palestinian Lives’ is perhaps the only example that I know of of a brilliant writer and a sensitive photographer collaborating to produce something remarkably insightful, intelligent and provocative at the same time.

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