Another photographer turns up at another recently manufactured ‘traditional’ culture, and produces yet another set of racist, reductive and entirely fake images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures […]
Category Archives: Journalism
I recommend that photographers, photojournalists, documentary photographers remember these wise words by Tania Canas, RISE Arts Director / Member – I am copying and pasting it here. As brown and black bodies are stripped of their clothing, as brown and black children are dehumanised to mere misery, as brown and black women are reduced to simply […]
So, here is a Masterclass in photojournalism, particularly for European photojournalists producing works on immigration, refugees and Africa. It is a Masterclass in how not to work as a photographer / photojournalist working on stories of immigration, refugees and the European fear of ‘the Other’.
You could say that this piece is about the present, and about the city as experienced by the photographer today. You could argue that one need not always resort to historical realities, or trace the threads of memory when the focus is in the here and now. But, the past is not dead. It’s not […]
“I have been stereotyped: my life and lived experiences negated by photo editors in the USA in particular. My editors in the USA in particular. I am nothing but my ethnicity, a man from my country of my birth 42 years ago. My name marks me as a ‘Muslim’, my ethnicity marks me as a […]
Ben Ehrenreich wrote perhaps one of the best pieces about the Palestinian resistance struggle in the town of Bilin in the West Bank against Israel’s hideous and inhumane apartheid wall. He was also the guy I quoted in a piece I wrote on Western photojournalism’s obsessive Eurocentrism when it comes to reporting on Brown and […]
Anastasia Taylor-Lind wants more diversity in the photojournalism industry. and has penned an argument that is conventional, unimaginative and banal. She continues the long practice of confusing a lack of diversity in mainstream Western / European photojournalism as only about ethnic, nationalist, or gender. That is, about ‘mixing it up’ and creating the right optics […]