She turns thirteen today. She dances at San Francisco Ballet School’s Summer Intensive programs this summer. It was just two years ago that she had auditioned for the Swedish Royal Ballet’s dance school, only to be rejected at the last stage of the week-long audition. It was just two years ago that I remember waking up at 2 am that night, and hearing her quietly crying in the bathroom. Last week, when she received the letter from the San Francisco Ballet, inviting her to come and train in the Summer Intensive Program, Sofia completed a journey that began in painful disappointment. This summer is no ordinary summer. For this 13-year old, this invitation letter was not just to another Summer Intensive program, but a confirmation that hard work, a refusal to accept the judgement of others, and a determination to become what she dreamed about, was the only way to face the dance world.
At times I can’t tell whether the writers and editors at the New York Times are just plain stupid, or supremely clever. For example, this entire piece is little short of an exercise in obfuscation and political propaganda, misrepresenting data repeatedly to shill for the argument – entirely false, that the economic situation of the average American is getting better, and hence, that Donald Trump is wrong.
Well, looking at the data you can concoct that argument, but it isn’t there in the data. So either Mr. Applebaum does not remember his high-school math, or, that he and his editors, believe that the ordinary New York Times reader is too stupid to remember her high school math.
For example, here is how they define ‘median income’ in the article:
“The median income is the amount that divides households evenly between those that make less and those that make more.”
That is not what median income is.
The [New York Times] article attempts to provide insight into how modern-day racists negotiate the contemporary racial terrain. But this is hard to do, given that the Times along with other establishment media outlets are a crucial part of that terrain.
Take the article’s observations about America’s shifting racial scapegoats. Confessore writes:
“While open racism against blacks remains among the most powerful taboos in American politics, Americans feel more free expressing worries about illegal immigrants and dislike of Islam, survey research shows.”
But why is it that white Americans feel more free to express Islamophobia and xenophobia than anti-black bigotry? Surely this has much to do with the fact that in recent years powerful media outlets have done much to legitimize the former biases.
FAIR Blog, “NYT Looks at the Political Exploitation of White Supremacism–but Not Too Hard”, July 14, 2016
To say that the New York Times these days is into Islamohysteria™ would not be an under-statement. Islamohysteria™ is a little known area of academic study, but one that has a long pedigree and reams of evidence. It is the habit of taking a handful of statements by officials, intelligence operatives, neo-conservative pundits and government provided ‘defectors’ and ‘informers’, and producing articles that use words like ‘global’, ‘nuclear’, ‘mushroom cloud’ and more. The New York Times has offered a masterclass in manufacturing Islamohysteria™, relentlessly publishing poorly investigated, anonymous and state / intelligence sourced articles that pretend to be journalism, but are really little more than stenography.
And where once the likes of Judith Miller would run around the globe interviewing officials, defectors and intelligence operatives, and simply regurgitate their claims and statements as facts, and then construct wild and fantastic fantasies of global domination and nuclear annihilation by our enemies, we seem to have found a new set of recruits that are experts at the same game. There was Carlotta Gall of course, and David Sanger of the infamous ‘nuclear triggers for Osama Bin Ladin’ lie, Mark Mazzetti with his insider notes sent directly to the CIA to reveal what his colleague was about to file, or the shameless way New York Times Michael Gordon met with the State Department to ask for their help to ‘vet’ the Iraq Logs or completely bury them that were about to be published. There is a long, long history of sordid collusion with powerful state and intelligence actors here to 1) spread lies, 2) concoct evidence, 3) spread fear ad hysteria, and 4) manufacture enemies particularly ‘Islamic’ one. Details »
Moustafa Bayoumi had an interesting Facebook post this morning that speaks to the histories of colonialism that may inform the recent French idiocies around the uses of the burkini at French beaches. The post is here:
I found it provocative and decided to engage with him figuratively. That I am currently designing some photo projects for 2017 that look at the continuing ‘rot’ of colonial and imperial rule and the ways it scars and distorts life, ecology and economy, his arguments were very interesting. However, though Bayoumi makes some good points, but I can’t help but feel that he overstates his case, perhaps even over determines it, by suggesting a rather idealized idea of ‘direct’ vs’ indirect’ colonial rule. This idea does not stand the test of history in any way.
So here is why. Details »
European / Western wish for innocence, for purity of spirit, takes tens of millions of dollars to keep up. All sorts of bizarre, racist, programs have to be designed, and all sorts of institutions – scientific, civic, policing, political, social and cultural, are unleashed onto the unthinking citizenry, to seduce and numb them back to their place of quiet subservience and obedience. Here, the French yet again prove their determine war against truth and history. Just as before they spent tens of millions erasing their colonial legacy, their Algerian nightmare, their massacres on the streets, and their social and economic discrimination of a large percentage of their citizens, they are now aiming at any remembrance, or evidence, of the fact that France has been a nation at war in the Middle East, and West Africa, for over a decade now.
It is striking how in this entire piece about a lack of diversity in mainstream Western / European photojournalism, the idea ‘lack of representation’ is defined only as ethnic, nationalist, or gender. What is completely left out is politics. That is, the idea of a diversity of political views and perspectives that face, criticize, and dissent against the mainstream European / Western mainstream liberal discourse. And by not acknowledging the ‘manufacturing of consent’ element of mainstream Western media – a fact that has now been written about in countless books, articles and blog sites, it falls prey to simple, and yet again, ‘liberal’ ideas about what ‘diversity’ means and ought to be.
This is one of the most beautifully produced pieces of Western propaganda I have seen in a long time. There is no doubt that MSNBC spent a lot of time, money and design effort, in collaboration with the ‘great’ Magnum Photo agency, to put this together. But there is also no doubt, that this entire body of work, with all its fancy graphics, its large-scale photographic presentations, its sophisticated digital presentation structure, is entirely meant to do three things:
– Create the impression that a flood of zombie-like brown skin ‘refugees’ are flocking to our clean, White shores for reasons that have nothing to do with our illegal wars, occupations and invasions, and consistent support for dictatorships (Israel, Jordan, Egypt, Syria, Saudi Arabia, Bahrain, Kuwait, Iraq for example)
– Create the impression that ‘Europe’ is under threat, and its ‘cultural’ values drowning and in danger of dilution from these ‘refugee’s who come from the ‘other world
– The pain and strain of the European / Western, as she grapples with her inner morality and humanity, and the economic pressures and demands of these ‘beggars’ and ‘usurpers’.
It was a relief to finally read something that reminds us that comedy is not dissent. This piece by Sugarman echoes a critique I wrote some months ago – and for which I was summarily mocked, about John Oliver and his treatment of the issue of state surveillance of American citizens, and later, on his rather bizarre and right-wing interview of Snowden.
In the first piece I had argued that:
“Comedy denudes issues of urgency and the human will to act. It finds a way to make us laugh at torture, social deprivation, racism, war and murder. It makes acceptable what ought to be intolerable and seduced us into a place where we come to believe that describing and articulating something as a joke is an act. and it lets us feel that having laughed, we have somehow done and acted. for after all, we laughed st the fools and that sets us apart from them.
Comedy has become the anesthesia our capitalist societies are given so that we can accept the unacceptable. So that we can indulge in inaction while thinking we are acting. Comedy is the posture we adopt when critical thinking and critical engagement are lost.”