Eyes Of Aliyah–Deport, Deprive, Extradite Initiative By Nisha Kapoor

I have publicly and on this forum very explicitly argued against the strange ‘disappearance’ of black/brown bodies that are the actual targets and victims of our ‘liberal’ state policies of surveillance, entrapment, drone assassinations, renditions and indefinite detention. I recently argued:

“Western visual journalism, and visual artists, have erased the actual victims of the criminal policies of the imperial state. Instead, most all have chosen to produce a large array of projects examining drone attacks, surveillance, detentions and other practices, through the use of digital abstractions, analogous environments, still life work or just simply the fascinating and enticing safety of datagrams and charts. Even a quick look at recent exhibitions focusing on the ‘war on terror’ or wars in general, have invited works that use digital representations of war, or focus on the technologies of war. An extreme case of this deflection are recent projects on drone warfare that not only avoid the actual brown/black bodies that are the targets of deadly drone attacks, but are not even produced anywhere near the geographies and social ecologies where drone attacks continue to happen! Yet, these works have found tremendous popularity, though i remain confused what kinds of conversations or debates they provoke given that the voices of the families of those who have been killed, are not only entirely missing, but people who can raised the difficult questions about the lies and propaganda that are used to justify the killings, are also entirely missing.”

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Published on December 7, 2017 12:25 pm.
Filed under: American And Her Wars, Essays On Embedded Photojournalism, Journalism, Photography

Short Doc: “As If A Nightmare”;The Story Of Former Bagram Prisoner Abdul Haleem Saifullah

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

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Published on September 11, 2017 1:06 pm.
Filed under: American And Her Wars, Essays On Embedded Photojournalism, Pakistan, Pakistan Justice Project Essays

Short Doc: “Prisoner 1432” – The Story of Former Bagram Prisoner Amanatullah Ali

 

We are commemorating 9/11 this week, but by remembering the ‘other’ victims of that event that few chose to remember. These are the brown bodies that rarely make it into visual media projects, that since 9/11, have chosen to hide behind digital representations, data charts, and other visual forms that do a lot, but never permit us to see or hear the brown and black people who actually suffer the consequences of drone attacks, sweeping surveillance, targeted entrapment, renditions, indefinite detentions, torture and other forms of inhumanity that today liberal minds seem to be able to easily justify.

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Published on September 11, 2017 1:04 pm.
Filed under: American And Her Wars, Essays On Embedded Photojournalism, Pakistan, Pakistan Justice Project Essays

Don’t Look Back

You could say that this piece is about the present, and about the city as experienced by the photographer today. You could argue that one need not always resort to historical realities, or trace the threads of memory when the focus is in the here and now. But, the past is not dead. It’s not even past.  If I can quote a son of the South.

This is how you white-wash (so to say!) America’s cruel, brutal, racist history – write an entire piece about a Southern town, one that still celebrates its ‘civil war’ history, one that was once the center of Georgia’s cotton trade a.k.a. slave plantations and at the heart of America’s cotton trade – so powerfully, and painfully described in Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, and never once mention any of this definitive and critical history.  Details »

Published on March 12, 2017 10:29 am.
Filed under: American And Her Wars, Journalism, Photography

The Long Arms Of Islamohysteria™

The [New York Times] article attempts to provide insight into how modern-day racists negotiate the contemporary racial terrain. But this is hard to do, given that the Times along with other establishment media outlets are a crucial part of that terrain.

Take the article’s observations about America’s shifting racial scapegoats. Confessore writes:

“While open racism against blacks remains among the most powerful taboos in American politics, Americans feel more free expressing worries about illegal immigrants and dislike of Islam, survey research shows.”

But why is it that white Americans feel more free to express Islamophobia and xenophobia than anti-black bigotry? Surely this has much to do with the fact that in recent years powerful media outlets have done much to legitimize the former biases.

FAIR Blog, “NYT Looks at the Political Exploitation of White Supremacism–but Not Too Hard”, July 14, 2016

To say that the New York Times these days is into Islamohysteria™ would not be an under-statement. Islamohysteria™ is a little known area of academic study, but one that has a long pedigree and reams of evidence. It is the habit of taking a handful of statements by officials, intelligence operatives, neo-conservative pundits and government provided ‘defectors’ and ‘informers’, and producing articles that use words like ‘global’, ‘nuclear’, ‘mushroom cloud’ and more. The New York Times has offered a masterclass in manufacturing Islamohysteria™, relentlessly publishing poorly investigated, anonymous and state / intelligence sourced articles that pretend to be journalism, but are really little more than stenography.

And where  once the likes of Judith Miller would run around the globe interviewing officials, defectors and intelligence operatives, and simply regurgitate their claims and statements as facts, and then construct wild and fantastic fantasies of global domination and nuclear annihilation by our enemies, we seem to have found a new set of recruits that are experts at the same game. There was Carlotta Gall of course, and David Sanger of the infamous ‘nuclear triggers for Osama Bin Ladin’ lie, Mark Mazzetti with his insider notes sent directly to the CIA to reveal what his colleague was about to file, or the shameless way New York Times Michael Gordon met with the State Department to ask for their help to ‘vet’ the Iraq Logs or completely bury them that were about to be published. There is a long, long history of sordid collusion with powerful state and intelligence actors here to 1) spread lies, 2) concoct evidence, 3) spread fear ad hysteria, and 4) manufacture enemies particularly ‘Islamic’ one. Details »

Published on August 31, 2016 3:26 pm.
Filed under: American And Her Wars, Journalism, Musings On Confusions

Helping Us Absorb The Shock Of Reality

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Raymond Williams work ‘Keywords’ is perhaps one of the great pioneering cultural studies text of our lifetime. There are not many works that can claim that. In it, Williams pointed out that the meaning and use of words is deeply influenced by and changes with our political, social and economic situations and needs. As Williams himself argued in the book:

“…[T]he air of massive impersonality which the Oxford Dictionary communicates is not so impersonal, so purely scholarly, or so free of active social and political values as might be supposed from its occasional use.”

Words matter. And how, when and who uses them matters profoundly. When it is a word used by Western media, one deeply implicated in upholding corporate, political and military interests, we should always keep Williams insight in mind. Hence, it is irresponsible, if not disingenuous, of any writing by a media critic or commentator when writing about the American / Western media (broadcast, print, digital, radio) to not acknowledge the existence of this political and corporate influence, and the ways in which it influences so much of what is shown and spoken about. It is also disingenuous not to acknowledged that using and manipulating the media today is a crucial goal of any political administration anywhere in the world. The reach and access of media is greater today than ever before, and its influence on opinions and ideas second only to the Church. Perhaps more so, but I do not wish to blaspheme. Hence, I am repeatedly dismayed at the persistent and consistent eraser by media critics and analysts of American and European journalism’s close relationship to political and corporate power. (Le Monde Diplomatique is an exception, reporting repeatedly on this close collaboration when it comes to French media.) So much has been written about this to be self-evident, but it is intentionally pushed aside in discussions about how news get produced, published, disseminated and discussed. From corporate and private ownership of major newspapers, to political influence and collusion with journalists and editors, we know well today how closely our media has become a propaganda machine.

So when I came across this essay titled “Should News Outlets Show Photographs of Terrorists?” by Fred Ritchen – a former photo editor at The New York Times and now a teacher at the International Center for Photography in New York, I was left confused by many of its positions. Details »

Published on August 26, 2016 8:37 pm.
Filed under: American And Her Wars, Essays On Embedded Photojournalism, Journalism, Musings On Confusions, Photography, Uncategorized

Still Speaking For The Others, But At Least Doing It Honestly

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I remember Ben Ehrenreich. He was the writer who wrote perhaps one of the best pieces about the Palestinian resistance struggle in the town of Bilin in the West Bank against Israel’s hideous and inhumane apartheid wall. He was also the guy I quoted in a piece I wrote on Western photojournalism’s obsessive Eurocentricism when it comes to reporting on Brown and Black societies. It was in the context of speaking about the need for ‘White’ interlocutors that I quoted Ehrenreich, and wrote:

“The West’s desperation for ‘white’ interlocutors and the silence of the other – was very strongly bought to the fore by Ben Ehrenreich of The New York Times, the writer of a powerful and rather unusual for the magazine, piece of reportage on the Palestinian resistance to Israeli military rule and occupation in the West Bank. The article, This Is Where The Third Intifada Will Start was a powerful piece and rare in the voices of the Palestinians it allowed to come through. In an interview he gave afterwards he was asked a very pertinent and powerful question which touched on this very issue – the constant representation of the other by an European – and his response was powerful and clear. The question that was posed to him was this:

Let’s talk about the Jewish narrator. In 2006 the Times published a very important essay by Tony Judt in support of Walt and Mearsheimer’s LRB piece on the Israel lobby, and Judt later said that they asked him to insert in there, I’m Jewish. Judt told the story because he knew that Jews were privileged, and that the Times needed to send this signal to its readers. As the NYRB does by publishing David Shulman when it’s critical of Israel, as the New Yorker does when David Remnick is the authority. As Mondoweiss does by stating, we’re a progressive Jewish site at root. As JVP does. It’s a racket, we’re all in on it, and my question is, When do Palestinians get to hold the microphone. Aren’t you and I to blame too? Because if they were holding the microphone, a basic human rights issue like the right to resist that is so core to your piece would have been noncontroversial many many years ago. As it is, Americans have to warm up to the idea, and a Jew has to bring them this news. Comment?

And Ehrenreich’s response was unequivocal and clear. He responded:

I’m glad you asked that question, and yeah, it’s super-problematic. It’s a specific instance of a bigger problem, that black and brown people’s stories can generally only be told in this society via the authority of a white narrator, that we–white people, in this case of Jewish ancestry–are tasked with the representation of black and brown and in this case Palestinian people, who in this dynamic are stuck in the passive role of being represented and are not allowed to interpret their own realities. So certainly we are complicit, and I don’t see any way out of that complicity except to use what privilege I have to tell stories that tear holes in the broader narratives which allow this arrangement to continue. And to do so with scrupulous attention to my own role in it, to the power differentials at play. (My emphasis)”

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Published on June 23, 2016 4:53 am.
Filed under: American And Her Wars, Journalism, The Question Of Palestine

You Talking To Me? Or Amnesia As A Choice

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This is one of the most beautifully produced pieces of Western propaganda I have seen in a long time. There is no doubt that MSNBC spent a lot of time, money and design effort, in collaboration with the ‘great’ Magnum Photo agency, to put this together. But there is also no doubt, that this entire body of work, with all its fancy graphics, its large-scale photographic presentations, its sophisticated digital presentation structure, is entirely meant to do three things:

– Create the impression that a flood of zombie-like brown skin ‘refugees’ are flocking to our clean, White shores for reasons that have nothing to do with our illegal wars, occupations and invasions, and consistent support for dictatorships (Israel, Jordan, Egypt, Syria, Saudi Arabia, Bahrain, Kuwait, Iraq for example)

– Create the impression that ‘Europe’ is under threat, and its ‘cultural’ values drowning and in danger of dilution from these ‘refugee’s who come from the ‘other world

– The pain and strain of the European / Western, as she grapples with her inner morality and humanity, and the economic pressures and demands of these ‘beggars’ and ‘usurpers’.

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Published on June 23, 2016 2:14 am.
Filed under: American And Her Wars, Musings On Confusions

Clueless Liberalism

France political and security responses are a good case study of how popular Islamophobia spreads in a nation. If the State acts in such a targeted, and sweeping fashion, and its spokes persons define so clearly and explicitly the ‘enemy’ they are going after, the citizenry can’t really be expected to remain immune from its constructions and framing of how to evaluate and judge a situation, and whom to blame for it. So when the state so publicly demonstrates its resolve, so to speak, and the ordinary, over-worked and under-engaged citizen watches all this, it isn’t all too surprising that the pathology spreads.

“Backed by the new powers, authorities have carried out about 3,400 raids on mosques, homes, and businesses with more than 300 people placed under house arrest.”

Of course, add to this the near daily media discourse and framing of wars in various countries where the construction of the ‘enemy’ is almost always on religious or cultural grounds, with all political and historical facts and legacies distorted and modified to create further evidence of ‘the enemies’ deviant and inhuman thought process and strategies.

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Published on April 25, 2016 12:33 pm.
Filed under: American And Her Wars, Background Materials, Journalism, Just Fun Stuff, Musings On Confusions, The Daily Discussion

The Troubles With History

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Keep this paragraph in mind the next time you see a ‘great’ story about Honduras in National Geographic, or Time or The New York Times, because it will not be included in it:

“Instead of condemning the figures behind the uprising, suspending support to the illegitimate government of Zelaya’s successor, Roberto Micheletti, and demanding a restoration of the democratically elected Zelaya, Secretary Clinton decided to move on. In her memoir “Hard Choices,” Clinton wrote that after the coup, she went about hatching a plan with other leaders in the region “to restore order in Honduras and ensure that free and fair elections could be held quickly and legitimately, which would render the question of Zelaya moot.” The United States pushed for elections, and in November 2009, despite a boycott by opposition leaders and international observers, elections were orchestrated by the same figures behind Zelaya’s ouster.

Since the coup, violence and assassinations, as well as persecutions of journalists and social justice advocates, have skyrocketed in Honduras. Last week’s high-profile murder of the Goldman prize-winning indigenous leader and environmental activist Berta Caceres is yet another tragic example of the abhorrent human rights record in Honduras under the government that came to power via the 2009 coup. Between 2010 and 2014, 101 environmental activists have been killed in Honduras, according to Global Witness. Clinton’s camp has said that allegations about her role in the 2009 coup are “nonsense.”

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Published on April 25, 2016 12:26 pm.
Filed under: American And Her Wars, Background Materials, Journalism, The Daily Discussion