CounterFoto is celebrating 4 years. I will be attending some of the events this year, and giving a few talks. The topics will always be provocative and focused on things we rarely talk about as photographers. I will also do portfolio reviews. It’s exciting to return to Dhaka, and to re-connect what is frankly one of the most enthusiastic and exciting photography community I know! Details »
It’s fascinating to see the return of so many mid- 18th century Orientalist troupes and obsessions : this bizarre and needling determination to categorize and then – as if the categories created are genuine and natural, to analyze. The French are of course persistent and unrepentant Orientalists, and the more educated the worse. And so this gaze that first categorizes – ‘Arab masculinity’, and then pretends to analyze it.
What is ‘Arab masculinity’? Need we ask? Dare we ask where this object of study even comes from? Is it even real? Is there a unique Arab conception and manifestation of ‘masculinity’? Do a dozen stylized, fashion-shoot type set-up images of men who happen to be Arab provide enough material to explain not only the category, but its real existence? Do these men live in cages, isolated from the world and its influences? Do they experience whatever we may think are pure ‘Arab’ experiences, and not any spilling across geographical, intellectual, cultural, emotional and physical boundaries? An ‘Arab’ is an ‘Arab’ is an ‘Arab’, and damn is s/he is anything but a pure representation of an easily isolated and studied species.
Image: School children at the Nyange massacre site during the Nyange Memorial Day event sponsored by the Chancellery For Heroes, National Orders And Decorations of Honor. March 19, 2015