I arrive in New York in a few days to try out a new experiment. It has been a few years in the making, and it has taken a few months of find funding for it. But now it is ready to be performed. The Polis Project‘s first Un/Do-Photography workshop will start in New York […]
Category Archives: Photography
Another photographer turns up at another recently manufactured ‘traditional’ culture, and produces yet another set of racist, reductive and entirely fake images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures […]
Sudhir Patwardhan. Can you discover ‘an influence’ after the fact? What do you call someone who seems to embody your eye, your sensibility, and yet you had never seen his / her work, and yet, when you now see it, you see the ‘influence’…the similarities? Is he confronting the same questions? Is he seeing this […]
I recommend that photographers, photojournalists, documentary photographers remember these wise words by Tania Canas, RISE Arts Director / Member – I am copying and pasting it here. As brown and black bodies are stripped of their clothing, as brown and black children are dehumanised to mere misery, as brown and black women are reduced to simply […]
So, here is a Masterclass in photojournalism, particularly for European photojournalists producing works on immigration, refugees and Africa. It is a Masterclass in how not to work as a photographer / photojournalist working on stories of immigration, refugees and the European fear of ‘the Other’.
You could say that this piece is about the present, and about the city as experienced by the photographer today. You could argue that one need not always resort to historical realities, or trace the threads of memory when the focus is in the here and now. But, the past is not dead. It’s not […]
Brent Lewis, a Senior Photo Editor at ESPN’s The Undefeated has realised that there aren’t enough ‘photographers of colour’ that he can commission for assignments, and believes that other editors have a similar problem. And his solution–classically technocratic and technological–is to create a ‘database’ of coloured photographers and, without ever once questioning or examining the […]