A new photographer’s collective takes on America’s social deprivations and economic struggles. Facing Change describes itself as a non-profit collective of dedicated photojournalists and writers coming together to explore America and to build a forum to chart its future.
Delhi gets its first major photo festival, and they are inviting submissions. The final pieces are still being put together, including the list of workshops and seminars so I will not say much more than that. Details »
In an earlier post I had argued, pointing to a series of social and economic statistics,I argued that faced with the dire economic realities of today’s America, the silence of the photographers was confusing and disappointing.
From People Of The Clouds by Matt Black
Matt Black‘s project People Of The Clouds may be one of the most intelligently thought through pieces of photographic work I have seen in a long time. I just wanted to say that simply and clearly. Details »
It remains one of the most difficult stories I have attempted to do. In 2005 writer Malcolm Garcia and I traveled to Port Au Prince to document the targeting of pro-Aristide activists and Lavalas supporters in the weeks after Jean Bertrande-Aristide was forcibly removed from power. The collaboration of the French and American governments in the illegal and violent removal of a sitting, democratically elected President of a sovereign nation was blatant and well documented.
mesnal delarge's sister reacts after seeing the body of her brother who was shot and killed while marching in a pro-aristide rally in port au prince. the haitian national police has frequently fired upon peaceful demonstrators, often right in front of MINUSTAH troops copyright asimrafiqui 2006
The image showed little, and yet said so much that it made me laugh. The first time I saw it I did not know who the photographer was, but some quick research revealed it to be no other than Tim Davis. The image, called Nixon Monument was sheer genius:
'Nixon Monument' from the series My Life In Politics by Tim Davis
From Saiful Huq Omi's Rohingya Project (Copyright Saiful Haq Omi)
Saiful Huq Omi’s work on the Rohingya has become the definitive photographic documentation of this people’s dispossession and dispersion. In the last two years alone it has been a finalist for the Alexia Foundation grant (2009, 2010), a finalist for The Aftermath Project grant (2009), received a Days Japan International Photography Context Special Jury Award in 2009, an Emerging Photographer grant from the Open Society Institute (2010), a Magnum Foundation Emergency grant (2010) and was chosen for the Moving Walls exhibition in 2010. In 2010 Omi was selected to the Joop Swart Masterclass at World Press Photo on the basis of the same project. And I suspect that the work will continue to receive accolades and recognition in the days to come. Details »
She was a sales representative when I first met. Nadia Shira Cohen was introduced to me as the woman who would introduce me to editors in New York and help pass my work off as something worthy of being published. She actually managed to do this, and convince editors to give me work. But it was apparent from the moment we first met that simply helping SIPA Press sell images was not what she really wanted to do. Over the years we developed a friendship, trust and a shared conviction that where she had to be was out in the world, behind the camera, telling stories.
Afghanistan's Burned Brides By Elliott Woods
From Moksha by Fazal Sheikh
What has always impressed me about Fazal Sheikh is his intelligence and willingness to engage in the complete complexity of the human conditions he documents. There is no attempt to avoid the difficult, or to elide the embarassing. His eye is precise and spectacularly beautiful. His voice is balanced and calm, refusing to use hysteria or sensationalism to distract us. Details »