Satisfied in wasting time in juvenile discussions about the ‘seriousness’ of Hipstamatic or Instagram while … avoiding any debates about the the historical, cultural, and social prejudices that underpin the craft, or even the legacy of a colonial forms of knowledge that continue to inform its form, photographers seem deeply disconnected from the very world they so claim to be documenting.
It has been difficult to write. I suppose that is stating the obvious given that this blog has been rather quiet for many weeks, if not months. I am not quite sure what the cause of this silence is. But I have been blocked. But this is a block that comes not from a lack of things to say and write, but from a sense of distance and disconnection from my perceived audience. Details »
From 'Only Unity' by Matt Lutton (All Rights Reserved)
It was a pleasant surprise to learn that Matt Lutton has been awarded the burn Magazine’s ‘Emerging Photographer’ award. The surprise came not from the fact that Matt won the grant, but that a work on a region long forgotten by mainstream media, received a recognition that it so deserves. So when these two slide came up on the burn magazine page, I shouted with glee! Details »
Its been a long time since I last wrote on this blog. In fact, in a recent discussion with Prison Photography’s Pete Brook’s I even declared the blog near dead. But frankly I have not had the heart to shut it down because each time I do I find that someone is still reading it and insisting on discussing it with me. So it remains alive, though I do have to get back to writing more and speaking less. I seem to be making my arguments in person these days and avoiding putting down on the blog. Details »
I have written about Trevor Paglen’s amazing photographic works before, particularly his use of advanced optics to peek into America’s secret military sites. In a post written earlier called Photographing The Unseen Or What Conventional Photojournalism Is Not Telling Us About Ourselves I discussed his work and what it could possibly tell us more conventional photographers about the issues of our times and the subjects we have yet to tackle. Details »
The Delhi Photo Festival’s, with its inaugural theme of ‘Affinity’, features a number of works that deal with questions of the personal. The festival contains a number of projects that focus on family, friendships, and individuals exploring personal issues with life and love. And much of the work is fascinating, creative and expressive. The personal and private works add an exciting counter point to some of the other exhibitions which reflect a more socially and public engagement. By and large however the festival has kept its feet firmly in the classic concerns of photojournalism even while exhibiting works that are more individual, and experimental. In this regard, the festival has already distinguished itself from many other such photo festivals happening around the world and is off to a wonderful start. Details »
A new photographer’s collective takes on America’s social deprivations and economic struggles. Facing Change describes itself as a non-profit collective of dedicated photojournalists and writers coming together to explore America and to build a forum to chart its future.
Delhi gets its first major photo festival, and they are inviting submissions. The final pieces are still being put together, including the list of workshops and seminars so I will not say much more than that. Details »
In an earlier post I had argued, pointing to a series of social and economic statistics,I argued that faced with the dire economic realities of today’s America, the silence of the photographers was confusing and disappointing.
From People Of The Clouds by Matt Black
Matt Black‘s project People Of The Clouds may be one of the most intelligently thought through pieces of photographic work I have seen in a long time. I just wanted to say that simply and clearly. Details »