From Headman To Hitman

Another photographer turns up at another recently manufactured ‘traditional’ culture, and produces yet another set of racist, reductive and entirely fake images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures and makes them into concocted objects for class titillation and voyeurism. And this American magazine–mired deep in the heart of American imperialism, its violence and its brutality–publishes the images and accompanies them with what can only be described as one of the most incredibly ahistorical, obfuscatory and infantile articles I have read outside of stuff frequently published by Time Magazine and/or The New York Times.

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Sticking Our Head In The Sand

Larry Towell is looking for money for a new project in Afghanistan and has placed his request on Kickstarter. This would all have been fine had it not been for the fact that he is doing the wrong project. Larry Towell has been an inspiration, one of the first photographers whose works compelled me to come to photography. So it is with great disappointment that I read his description of what he intends to do in Afghanistan.

The opening sentence from his project description, a project called Crisis In Afghanistan, left me stunned:

For 30 years, Afghanistan has known only civil war.

No Larry, it has not. Details »

Offering Silence To The Oppressed

An exhibition called ‘Beware The Cost Of War’ recently opened in London.

Reading about it in the New York Times ‘Lens’ blog left me deeply disappointed and concerned.

Let me explain.

(Aside: Yoav Galai, the curator, is someone I have called a friend for some time now and I hope that he will forgive me for this very critical review of what is something he clearly put a lot of work in to. It is not personal, but merely a reflection on this propensity in our world to fear speaking, to raise a voice, to add details and specifics where generalizations only confuse, perpetuate injustices and acquit the guilty. I am sorry Yoav. I must say my piece.) Details »

Fear The Pushtun Bogeyman

Juan Cole is the Richard P. Mitchell Professor of History at the University of Michigan. He is the author of Engaging the Muslim World. He has a regular column at Salon.com. and writes the Informed Comment blog.

He has now written what I think is the first piece that connects modern day American imperialist paranoia in Afghanistan to 19th century British imperialist paranoia in Afghanistan. Details »

Fighting Ghosts And Selling The Good War Or Why Are The Toy Soldiers On The Front Lines!

The silence is deafening. As American troops are dropped in on Afghanistan to fight their fantasy war, there is no sound from our defenders of truth and checkers of power i.e. the media, about the operation, its objectives, our continued presence in the country, our blood thirsty allies, our ‘pretend’ Afghani democracy, our support of drug lords and genocidal manaics, our consistent killing of innocents and our blind faith in our own righteousness and unquestioned right to trample on another people and bend them to ‘our ways.

The glory of war is being sold on the front pages of our newspapers, none of which have the courage to ask what they know is in fact a fake war, aimed at a poor and defenceless people, fuelled by the ‘intelligence’ and advice of a group of venal, corrupt, blood thirsty and power hungry clique of Afghani warlords, drug barons and oil huckster!

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The Limits of Photojournalism

It is perhaps the most interesting, creative and compelling book of photography I have ever read. I have looked and read it over a dozen times in the last 8 years.  Edward Said & Jean Mohr’s ‘After The Last Sky: Palestinian Lives’ is perhaps the only example that I know of of a brilliant writer and a sensitive photographer collaborating to produce something remarkably insightful, intelligent and provocative at the same time.

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