Spreading Democracy Around The World…By Getting Into Bed With One Maniacal Dictator At A Time

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Speaking of a history of ugliness, that lovely man shaking the hands of our Secretary of State is Kurbanguly Berdymukhamedov, the President of the nation of Turkmenistan. This photo was taken on September 21, 2009. At the Waldorf Astoria in New York City. Quite the address. Details »

Fear The Pushtun Bogeyman Or Scaring Children As An Imperialist Habit

Juan Cole is the Richard P. Mitchell Professor of History at the University of Michigan. He is the author of Engaging the Muslim World. He has a regular column at Salon.com. and writes the Informed Comment blog.

He has now written what I think is the first piece that connects modern day American imperialist paranoia in Afghanistan to 19th century British imperialist paranoia in Afghanistan. Details »

Where The Head Spun: Sunday, 12th July 2009

This week has been busy with some writings on The Idea of India photo project, but I did manage to come across some fascinating stuff:

Ikea Is As Bad A Wal-Mart; A piece in Salon magazine that reviews Ellen Ruppel Shell’s book Cheap.

Yes, it is our consumer habits that are driving these climate changes – the degradation of the soil, the cutting of forests, the polluting of the oceans, the exploitation of human labor in china and mexico, to name just two places, is all for the sake of our cheap consumer goods.  We may prefer to avoid this fact by trying to simply shop ‘green’, but shopping, and repeateded, frequent cycles of shopping are in fact why the problems are emerging. Details »

Fighting Ghosts And Selling The Good War Or Why Are The Toy Soldiers On The Front Lines!

Alex Webb Magnum Photos (

Alex Webb Magnum Photos: The Invasion of Haiti 1994

The silence is deafening. As American troops are dropped in on Afghanistan to fight their fantasy war, there is no sound from our defenders of truth and checkers of power i.e. the media, about the operation, its objectives, our continued presence in the country, our blood thirsty allies, our ‘pretend’ Afghani democracy, our support of drug lords and genocidiares, our consistent killing of innocents and our blind faith in our own righteousness and unquestioned right to trample on another people and bend them to ‘our ways.

The glory of war is being sold on the front pages of our newspapers, none of which have the courage to ask what they know is in fact a fake war, aimed at a poor and defenseless people, fueled by the ‘intelligence’ and advice of a group of venal, corrupt, blood thirsty and power hungry clique of Afghani warlords, drug barons and oil huckster!

Here is The Washington Post’s idea of war. How purposeful!

Here is The Sacramento Bee looking at this war. How glorious!

Here is The Denver Post blinding themselves. Oh, Our Lord Calls!

Did someone in a marketing department at the pentagon think to arrange all this to coincide with hysteria and myopia that typically captures the nation on every 4th of July? I have to think so. Could they have found a better moment to sell ‘the good soldier’, and the righteous nation, by launching what is increasingly looking like yet another ‘ghost’ operation meant more for ‘domestic’ consumption and sales rather than any serious attempt to go after any real enemy. That something called ‘The Taliban’ are a manufactured foe is something I have written about in an earlier piece called To The Last Man: Fighting The Wrong War in Afghanistan. At most a band of village elders and fanatics with AK-47s scrambling about the remotest and barren regions of the globe have been re-cast as an existential threat to the world’s most powerful military and imperial power, and we all have fallen for it like children for the tooth fairy. Our think tanks, media ‘intellectuals’ and pundits, newspaper columnists and our politicians have become the finest marketing arms of the brand called ‘Al Qaeda’ and ‘The Taliban’, a brand that is perpetually maintained in front of our eyes and sold complete with music, video, and live performances such as this latest operation in Afghanistan.

I am reminded of the ‘great’ American military fantasy in the little country of Haiti – and Alex Webb was there to cut past the lies that these ‘toy soldier’ photojournalists love to sell once their work is done. He was abused for his ‘irresponsible’ pictures. I on the other hand remember hearing a rare honest voice.

Soon these ‘war’ pictures will be sent to competition around the globe, and winners will give interviews about how they wanted to ‘shed light on the truth’ and other such gibberish that is used to obscure the fact they mostly want to glorify themselves. This band of clowns who confuse bravado with bravery  will then be awarded trinkets at annual photo competitions by behind-the-desk warriors in offices at major magazine headquarters in metropolises around the globe. No questions will be asked about the veracity of the work, the independence of the sources, the commitment of the individual.

Chris Hedges said it best in a piece called On War:

The vanquished know war. They see through the empty jingoism of those who use the abstract words of glory, honor, and patriotism to mask the cries of the wounded, the senseless killing, war profiteering, and chest-pounding grief. They know the lies the victors often do not acknowledge, the lies covered up in stately war memorials and mythic war narratives, filled with stories of courage and comradeship. They know the lies that permeate the thick, self-important memoirs by amoral statesmen who make wars but do not know war. The vanquished know the essence of war—death. They grasp that war is necrophilia. They see that war is a state of almost pure sin with its goals of hatred and destruction. They know how war fosters alienation, leads inevitably to nihilism, and is a turning away from the sanctity and preservation of life. All other narratives about war too easily fall prey to the allure and seductiveness of violence, as well as the attraction of the godlike power that comes with the license to kill with impunity.

Professor Marc Herold has been working to reveal the media’s role in selling us war. In a piece called War As An Edsel: The Marketing & Consumption Of Modern American Wars he points out that

By the first Gulf War, reporters were confined to pools and the Pentagon distributed video-game like footage to TV channels extolling the precision of U.S. weaponry. In September/October 2001, the Bush Administration hired the public relations firm, Rendon Group1, and also Ms. Charlotte Beers, former “queen of Madison Avenue” and chairperson of both advertising giants J. Walter Thompson and Ogilvy & Mather (she had successfully promoted Head & Shoulders shampoo and Uncle Ben’s Rice), to “explain” the new Bush wars to Muslims abroad (and the American consumer), creating the new post for her of the State Department’s Under Secretary of State for Public Diplomacy with a half billion dollar budget.2 According to Colin Powell, Beers was fluent with branding and she was:

“from the advertising business. I wanted one of the world’s greatest advertising experts, because what are we doing? We’re selling. We’re selling a product. That product we are selling is democracy.”

Democracy sold abroad, war sold at home. But while the battle for minds abroad led by Beers and Rendon fared badly in Muslim lands, the battle on the home front to persuade the American public led by MIMIC succeeded eminently. The Bush Administration worked hard to encourage and benefit from a compliant mainstream domestic corporate media – led by Rupert Murdoch’s Fox News, Time Warner’s CNN, the Clear Channel radio network, radio talk shows, and major dailies like the New York Times, the Los Angles Times, and the Washington Post and journals like Rupert Murdoch’s Weekly Standard – which served as giant megaphones of State Department and Pentagon positions on the Bush wars… Clear Channel, the largest owner of radio stations in the country, has scrapped even any pretense of objectivity with its sponsorship of pro-war rallies in major cities throughout the U.S. The mainstream media bosses recognized – led by CNN’s coverage of Iraq in 1991 – that media flag-waving, fabricated personal story heroics, action-movie like storytelling, techno reporting could boost TV ratings and profits.

And so here we go again – the blatant entanglement of our media barons with the purveyors of power are known and obvious and the war in Afghanistan is being ‘produced’ for us much as the previous wars. The tired cliches are being published by machine-tool journalists who cannot even bother to confront the obfuscating language they have become so used to using. Rory Stewart recently wrote about the use of language to curtail thought and achieve results in a piece called The Irresistible Illusion :

When we are not presented with a dystopian vision, we are encouraged to be implausibly optimistic. ‘There can be only one winner: democracy and a strong Afghan state,’ Gordon Brown predicted in his most recent speech on the subject. Obama and Brown rely on a hypnotising policy language which can – and perhaps will – be applied as easily to Somalia or Yemen as Afghanistan. It misleads us in several respects simultaneously: minimising differences between cultures, exaggerating our fears, aggrandising our ambitions, inflating a sense of moral obligations and power, and confusing our goals. All these attitudes are aspects of a single worldview and create an almost irresistible illusion.

It conjures nightmares of ‘failed states’ and ‘global extremism’, offers the remedies of ‘state-building’ and ‘counter-insurgency’, and promises a final dream of ‘legitimate, accountable governance’.,,It papers over the weakness of the international community: our lack of knowledge, power and legitimacy. It conceals the conflicts between our interests: between giving aid to Afghans and killing terrorists…It is a language that exploits tautologies and negations to suggest inexorable solutions. It makes our policy seem a moral obligation, makes failure unacceptable, and alternatives inconceivable. It does this so well that a more moderate, minimalist approach becomes almost impossible to articulate.

Our ‘brave’ photojournalists continue to cloister their minds and thump their chests as they rush into ‘combat’ protected of course by entire battalions of some of the best trained military men and women in the world. No need to think how they got there, or why they are there on the front lines.

The toy soldier lives.

The Afghani dies.

I still wonder how we got here and why the slide to this mediocrity has proven so easy!

The Dust From Blood Filled Eyes: On Bangladesh and Acknowledgment of Crimes

Chapter 9 of Totten, Parsons & Charny’s book Century of Genocide is dedicated to Bangladesh.

But my earliest realization of the horrors that had been inflicted on the people of Bangladesh (then East Pakistan) in 1971 came through two poems by Faiz Ahmed Faiz. Details »

The Definition of Courage: The Israelis Speak

The testimonies now being given by a number of Israeli soldiers who took part in the recent war on Gaza, a war that Richard Falk, the UN’s special rapporteur on human rights, called a criminal act, offer us a glimpse into acts of human and individual courage.

There is no other way to describe the actions of these young men who were involved in what was nothing short of an international war crime against the unarmed civilian population of Gaza.

The Israeli newspaper Ha’aretz has been publishing a series of testimonies – the paper’s Amos Harel’s has two pieces, IDF in Gaza: Killing civilians, vandalism, and lax rules of engagement and ‘Shooting and crying’. Details »

How The Israeli Arms Industry Learned To Dance With Bollywood.

Rafael is an Israeli arms manufacturer and here is their attempt to convince ‘feminine’ India of her need for protection thanks to the modern, macho, western Israeli man?

With lyrics such as ‘I believe In You.  You believe In Me. Together. Forever. We Will Always Be. Dinga Dinga Dee’ we have a glimpse of the sophistication of the world this video emerges from and is distributed in to.

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more about “Iron Eagle Nominee: Israeli Armsdog-M…“, posted with vodpod

To The Last Man: Fighting The Wrong War in Afghanistan

Perhaps the most illuminating moments in Eroll Morris’s documentary The Fog Of War: Eleven Lessons from the Life of Robert S. McNamara is when Mr. McNamara begins to offer his explanation for why the war in Vietnam went so terribly wrong.

Aside for the detailed discussions about the escalation of the conflict due to domestic political issues, he makes the following statement which I believe best captures why nations, any nation, can find itself mired in a conflict and unable to resolve it. Details »

What A Tangled Web We Weave

Samuel Huntington, author of the infamous book The Clash of Civilizations and the Remaking of World Order, died on December 28th 2008.

In an obituary in the New York Times, a newspaper famous for retrospectively bestowing garlands of respectability onto  the lives of even the most questionable of men, thought it ‘uncanny’ i.e. a reflection of his brilliance, that in that book he had written (predicted?) that ‘Somewhere in the Middle East, a half-dozen young men could well be dressed in jeans, drinking Coke, listening to rap, and between their bows to Mecca, putting together a bomb to blow up an American airliner.’ Details »

The Limits of Photojournalism And Things More Worthwhile

It is perhaps the most interesting, creative and compelling book of photography I have ever read. I have looked and read it over a dozen times in the last 8 years.  Edward Said & Jean Mohr’s ‘After The Last Sky: Palestinian Lives’ is perhaps the only example that I know of of a brilliant writer and a sensitive photographer collaborating to produce something remarkably insightful, intelligent and provocative at the same time. Details »

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