A Photographer Confronts His World
Aaron Vincent Elkaim’s project on Morocco’s Jewish heritage immediately caught my attention not because of the photographs, but because of words that underpin the ideas and ideals of the project. These words immediately suggested a photographer of considerable intelligence and courage, and willing to accept and understand histories that today lie buried under propaganda, lies and sheer hypocrisy.
So, my brothers, how is it that we do not understand that we have better things to do than to follow that same Europe? That same Europe where they were never done talking of Man, and where they never stopped proclaiming that they were only anxious for the welfare of Man: today we know with what sufferings humanity has paid for every one of their triumphs of the mind…When I search for Man in the technique and the style of Europe, I see only a succession of negations of man, and an avalanche of murders.
Frantz Fanon, The Wretched Of The Earth Chapter Six Details »
Jeremy Scahill has written a fascinating piece for The Nation called Killing Reconciliation. He and film maker Rick Rowley (of Big Noise Films – see a recent one called The Return Of The Warlords on Afghanistan) traveled in Afghanistan outside the predictability and suffocating inanity of the ‘embedded’ war and bring back some fascinating insights into the situation. Details »
It is probably one of the most blatant uses of photography as propaganda that I have seen in a long time. And I am glad for it because it reveals explicitly how easily images can be put to the service of an agenda of power and entrenched interests. And how easily photographs can mislead if not ‘read’ carefully.’What Happens If We Leave Afghanistan’ the cover screams. The answer is made obvious. The shocking photograph closes the mind, numbs thought, distracts insight and silences protest.
If it were only so simple. If we were only so easily fooled. Details »
The tremendous development of photojournalism has contributed practically nothing to the revelation of the truth about conditions in this world. On the contrary photography, in the hands of the bourgeoisie, has become a terrible weapon against the truth. The vast amount of pictured material that is being disgorged daily by the press and that seems to have the character of truth serves in reality only to obscure the facts. The camera is just as capable of lying as the typewriter” – Bertolt Brecht,1931, in Kahn, Heartfield: Art & Mass Media
You can see George Gittoes disturbing film called Soundtrack To War here (both the quote above and the movie is thanks to James Pomerantz interesting blog site A Photo Student):
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