From “Headmen” To “Hitmen”–A People Brutalised Yet Again

Another photographer turns up at another manufactured ‘traditional’ geography, and produces another set of racist, reductive and entirely fake set of images. I don’t mean ‘fake’ in the way that most photographer’s get all concerned about. I mean ‘fake’ in a much more serious way, one that reduces people to social, political and historical caricatures and makes them into concocted objects for class titillation and voyeurism. And this American magazine–mired deep in the heart of American imperialism, its violence and its brutality–publishes the images and accompanies them with what can only be described as one of the most incredibly ahistorical, obfuscatory and infantile articles I have read outside of stuff frequently published by Time Magazine and/or The New York Times.

Details »

Your Brain Of Mud Or President Obama’s Magic Show In Cairo

On June 4th 2009, President Barack Obama (a man I voted for!) took the stage on the soil of one of the region’s most despotic and repressive regimes. But more than that, he was standing in the center of the geography of American imperial projections that has been the Middle East since the British, Germans, French and other smaller European nations were forced to leave it in the 1940s.
(Originally written in response to Obama’s first condescending speech to the A-rabs back in 2009. Reposted to reflect that nothing really has changed.) Details »

Suheir Hammad…Need I Say More

Thanks to PULSE. Details »

Revealing Histories Long Erased And Denigrated: Photographer Aaron Vincent Elkaim’s Attempt To Find Old Truths

Aaron Vincent Elkaim’s project on Morocco’s Jewish heritage immediately caught my attention not because of the photographs, but because of words that underpin the ideas and ideals of the project. These words immediately suggested a photographer of considerable intelligence and courage, and willing to accept and understand histories that today lie buried under propaganda, lies and sheer hypocrisy.

From The Series 'Jewish Morocco' By Aaron Vincent Elkaim

Details »

Sticking Our Head In The Sand Or We Just Liked Afghanistan Better When The Soviet’s Were Raping It

Larry Towell is looking for money for a new project in Afghanistan and has placed his request on Kickstarter. This would all have been fine had it not been for the fact that he is doing the wrong project.

Larry Towell has been an inspiration, one of the first photographers whose works compelled me to come to photography. So it is with great disappointment that I read his description of what he intends to do in Afghanistan.

The opening sentence from his project description, a project called Crisis In Afghanistan, left me stunned:

For 30 years, Afghanistan has known only civil war.

No it has not. Details »

The European Twist To An American Dance Or European Collaboration In American Crimes

So, my brothers, how is it that we do not understand that we have better things to do than to follow that same Europe? That same Europe where they were never done talking of Man, and where they never stopped proclaiming that they were only anxious for the welfare of Man: today we know with what sufferings humanity has paid for every one of their triumphs of the mind…When I search for Man in the technique and the style of Europe, I see only a succession of negations of man, and an avalanche of murders.

Frantz Fanon, The Wretched Of The Earth Chapter Six Details »

What It Looks Like When You Leave The Embed Or Thank Goodness Some Remember The Basics

Jeremy Scahill has written a fascinating piece for The Nation called Killing Reconciliation. He and film maker Rick Rowley (of Big Noise Films – see a recent one called The Return Of The Warlords on Afghanistan) traveled in Afghanistan outside the predictability and suffocating inanity of the ’embedded’ war and bring back some fascinating insights into the situation. Details »

The Spotlight Of Humanity Or How We Are Told To Look Only Where They Tell Us To Look


It is probably one of the most blatant uses of photography as propaganda that I have seen in a long time. And I am glad for it because it reveals explicitly how easily images can be put to the service of an agenda of power and entrenched interests. And how easily photographs can mislead if not ‘read’ carefully.’What Happens If We Leave Afghanistan’ the cover screams. The answer is made obvious. The shocking photograph closes the mind, numbs thought, distracts insight and silences protest.

If it were only so simple. If we were only so easily fooled. Details »

Photographing The Unseen Or What Conventional Photojournalism Is Not Telling Us About Ourselves


Unmarked 737 at "Gold Coast" Terminal Las Vegas, NV Distance ~ 1 mile 10:44 p.m.

Trevor Paglen is a man on a mission and it is one that reminds us that what makes any work of photography relevant, interesting, important or even significant, are the ideas and intentions that inform it. Anything else is merely gazing at pretty pictures. Details »

For Those Still Wondering What The H*ll Is Going On….

Thanks to PULSE