The Spotlight Of Humanity Or How We Are Told To Look Only Where They Tell Us To Look


It is probably one of the most blatant uses of photography as propaganda that I have seen in a long time. And I am glad for it because it reveals explicitly how easily images can be put to the service of an agenda of power and entrenched interests. And how easily photographs can mislead if not ‘read’ carefully.’What Happens If We Leave Afghanistan’ the cover screams. The answer is made obvious. The shocking photograph closes the mind, numbs thought, distracts insight and silences protest.

If it were only so simple. If we were only so easily fooled. Details »

Offering Silence To The Oppressed

An exhibition called ‘Beware The Cost Of War’ recently opened in London.

Reading about it in the New York Times ‘Lens’ blog left me deeply disappointed and concerned.

Let me explain.

(Aside: Yoav Galai, the curator, is someone I have called a friend for some time now and I hope that he will forgive me for this very critical review of what is something he clearly put a lot of work in to. It is not personal, but merely a reflection on this propensity in our world to fear speaking, to raise a voice, to add details and specifics where generalizations only confuse, perpetuate injustices and acquit the guilty. I am sorry Yoav. I must say my piece.) Details »

The Limits of Photojournalism

It is perhaps the most interesting, creative and compelling book of photography I have ever read. I have looked and read it over a dozen times in the last 8 years.  Edward Said & Jean Mohr’s ‘After The Last Sky: Palestinian Lives’ is perhaps the only example that I know of of a brilliant writer and a sensitive photographer collaborating to produce something remarkably insightful, intelligent and provocative at the same time.

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